{"title":"All Music","description":"","products":[{"product_id":"woo-whichever-way-you-are-going-you-are-going-wrong-double-lp-black-vinyl","title":"WOO  -  Whichever Way You Are Going, You Are Going Wrong Double LP (Black Vinyl)","description":"\u003cp\u003eIndependent Project Records is proud to announce that U.K. cult band WOO has reissued their debut album, Whichever Way You Are Going, You Are Going Wrong, originally released in 1982, as an expanded edition on the band’s The Sunshine Series Records label.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe remixed and remastered expanded edition of Whichever Way You Are Going, You Are Going Wrong includes new album cover art and ten previously unreleased bonus tracks, presented as a ‘mini’ album with the black and clear vinyl editions and as bonus tracks on the Special Edition CD. The album is also available digitally. This genre and time-defying selection of songs marked the public’s first exposure to the wild sonic experimentations that brothers Mark Ives and Clive Ives would be known for over the following decades.\u003c\/p\u003e\n\u003cp\u003e\"Mark and I had been home recording for five very prolific years before Whichever Way You Are Going, You Are Going Wrong was compiled,” says WOO’s Clive Ives. “The thirteen tracks we selected from this period are very diverse in style, yet magically complimentary.\"\u003c\/p\u003e\n\u003cp\u003eIn 1982, as brothers Mark and Clive Ives first opened the doors to their home studio in South London, the world met WOO – a duo that escaped genre and definition, making music that was proudly unrestrained, constantly mutating and always surprising. From its very title, debut LP Whichever Way You Are Going, You Are Going Wrong asserted the brothers Ives as tireless explorers of multifarious shape-shifting musical directions – the album blended kaleidoscopic jazz and analogue electronica, free-flowing pop and unearthly muzak, retro fun and futuristic adventures. “WOO can sound as soft as a Martini ad, as sharp as a stab of conscience and often, brilliantly, both,” the Melody Maker noted at the time.\u003c\/p\u003e\n\u003cp\u003eFinally remastered and reissued in a sumptuous package, Whichever Way You Are Going, You Are Going Wrong proves to be not only out of time but timeless. It comes with a bonus mini-album of previously unreleased rarities from the late ‘70s and ‘80s, assembled by the brothers with the same spirit that informed the making of their first groundbreaking release. \u003c\/p\u003e\n\u003cp\u003eThis listing is for the black vinyl LP, which includes the ten additional tracks on an extra 10-track LP mastered at 45 RPM. (See our separate listings for the clear vinyl and CD editions.)\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853220077,"sku":null,"price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/d0ed0a4f-244c3f_4ecae682bc1445b2a4681afa70335da0_mv2.jpg?v=1774300794"},{"product_id":"louder-than-you-think-a-lo-fi-history-of-gary-young-pavement-cd","title":"Louder Than You Think: A Lo-Fi History of Gary Young \u0026 Pavement CD","description":"\u003cp\u003eA one-of-a-kind man with a one-of-a-kind music career deserves a one-of-a-kind documentary. And that movie deserves a one-of-a-kind soundtrack. The man in question is Gary Young, a true original in life and behind the drum kit, who, when he was approaching the ripe old age of 40, joined twenty-somethings Stephen Malkmus and Scott Kannberg (Spiral Stairs), thus becoming the original drummer as well as producer for soon-to-become indie royalty Pavement.\u003c\/p\u003e\n\u003cp\u003eThe movie about his wildly unlikely story is \u003cem\u003eLouder Than You Think: A Lo-Fi History of Gary Young \u0026amp; Pavement, \u003c\/em\u003ea SXSW winner with a psychedelic heart and special contributions from…puppets. So here’s the soundtrack, at last: selections from Gary Young’s singular, dexterous rock ’n’ roll life sitting next to original music composed by Edward W. Dahl \u003cem\u003e(Jodorowsky’s Dune) \u003c\/em\u003eand Noah Georgeson (Joanna Newsom, Devendra Banhart, Cate Le Bon).\u003c\/p\u003e\n\u003cp\u003eThe days of hardcore punk and post-punk are well represented by The Authorities, The Fall of Christianity (the Stockton rebels that struck a chord with a teenage Spiral Stairs), Hot Spit Dancers and CRLLL. So is Gary’s final brush with fame: the merry chaos of Hospital, his post-Pavement nearly-solo venture mostly remembered for improbable MTV favourite ‘Plantman’.\u003c\/p\u003e\n\u003cp\u003ePavement themselves make memorable appearances throughout the record with ultra-rare live tracks, as well as something quite special: a Gary Young-penned oddity, with Gary on vocals accompanied by his old friends Scott and Stephen, recorded for the movie shortly before Gary’s passing in August 2023.\u003c\/p\u003e\n\u003cp\u003eProudly resistant to genres and conventions, the \u003cem\u003eLouder Than You Think\u003c\/em\u003e soundtrack is as complex, fun, puzzling and ultimately lovable as the alcohol-fueled hippie who helped define the sound of all things lo-fi, indie rock and slacker in between headstands.\u003c\/p\u003e\n\u003cp\u003eThis Special Edition CD version features full-color artwork based on the original film graphics and IPR’s iconic packaging, including a 24-page booklet filled with rare photos, narratives by Jackson Griffith and Kelly Foley, lyrics, and a musicians list, all packaged in a custom jacket. Numbered edition with letterpress-printed glassine CD sleeve. (See our separate listings for the Lime Green Vinyl and Black Vinyl editions.)\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853351149,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/8f2d9862-244c3f_075b0cdcbae949518caaa2e5404e8567_mv2.jpg?v=1774300795"},{"product_id":"david-j-tracks-from-the-attic-revisited-lp-gold-vinyl","title":"DAVID J - Tracks From the Attic Revisited LP (Gold Vinyl)","description":"\u003cp\u003eWhen he first went digging through boxes of old tapes, Bauhaus and Love and Rockets co-founder David J didn’t yet know that he was about to embark on a long, fruitful conversation with his own past, present and even future self. As he uncovered demos recorded over some four decades (released in 2024 in the form of the acclaimed triple album \u003cem\u003eTracks From the Attic\u003c\/em\u003e), he noticed that some songs were asking him to get reacquainted with them. He eventually complied, approaching material that sometimes he had no recollection of having written as when producing another artist’s music. The old demos became new demos: ideas reworked and sometimes radically transformed, lyrics adjusted when they showed a potential to narrate life in the not-so-roaring 2020s. Thus reshaped, the songs were shared with an ensemble that convened in the studio to breathe new life into them. Some are virtually unrecognizable, while some have kept their original form and charm intact – just developed and grown through the experience that comes with years of music making. It’s an arresting distillation of David J’s eclectic taste and the ever evolving musicality that came out of it: from the influence of late ‘70s New Wave to a lifelong love of classic country and Nick Drake-like romanticism.\u003cbr\u003e\u003cbr\u003eWhere the original \u003cem\u003eTracks from the Attic\u003c\/em\u003e invited listeners to be present in the room as a young singer-songwriter found his own way (wandering in the fields of experimentation and collecting the meanderings that followed), the new album puts us in front of an artist who has honed his craft and mastered the art of pruning. Indeed, David J compares the making of \u003cem\u003eTracks From the Attic Revisited\u003c\/em\u003e to the tending of a garden. “The demos were like neglected little seeds that had been set aside, or fallen on fallow land,” he reflects. “They’ve been gathered up, nurtured, tended and brought back to life as little buds. Now this is the bloom.”\u003c\/p\u003e\n\u003cp\u003eNumbered opaque Gold Vinyl edition in Unipak-style LP jacket printed in 5 colors (full color + metallic gold ink). Includes a folding lyric sheet insert and a full-color postcard-sized digital download card. \u003cbr\u003e\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853318381,"sku":null,"price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/SHOP_IP093CV_DavidJ_TracksRevisited_LP_cover_Gold_03.jpg?v=1781649627"},{"product_id":"david-j-tracks-from-the-attic-revisited-lp-black-vinyl","title":"DAVID J - Tracks From the Attic Revisited LP (Black Vinyl)","description":"\u003cp\u003eWhen he first went digging through boxes of old tapes, Bauhaus and Love and Rockets co-founder David J didn’t yet know that he was about to embark on a long, fruitful conversation with his own past, present and even future self. As he uncovered demos recorded over some four decades (released in 2024 in the form of the acclaimed triple album \u003cem\u003eTracks From the Attic\u003c\/em\u003e), he noticed that some songs were asking him to get reacquainted with them. He eventually complied, approaching material that sometimes he had no recollection of having written as when producing another artist’s music. The old demos became new demos: ideas reworked and sometimes radically transformed, lyrics adjusted when they showed a potential to narrate life in the not-so-roaring 2020s. Thus reshaped, the songs were shared with an ensemble that convened in the studio to breathe new life into them. Some are virtually unrecognizable, while some have kept their original form and charm intact – just developed and grown through the experience that comes with years of music making. It’s an arresting distillation of David J’s eclectic taste and the ever evolving musicality that came out of it: from the influence of late ‘70s New Wave to a lifelong love of classic country and Nick Drake-like romanticism.\u003cbr\u003e\u003cbr\u003eWhere the original \u003cem\u003eTracks from the Attic\u003c\/em\u003e invited listeners to be present in the room as a young singer-songwriter found his own way (wandering in the fields of experimentation and collecting the meanderings that followed), the new album puts us in front of an artist who has honed his craft and mastered the art of pruning. Indeed, David J compares the making of \u003cem\u003eTracks From the Attic Revisited\u003c\/em\u003e to the tending of a garden. “The demos were like neglected little seeds that had been set aside, or fallen on fallow land,” he reflects. “They’ve been gathered up, nurtured, tended and brought back to life as little buds. Now this is the bloom.”\u003c\/p\u003e\n\u003cp\u003eNumbered Black Vinyl edition in Unipak-style LP jacket printed in 5 colors (full color + metallic gold ink). Includes a folding lyric sheet insert and a full-color postcard-sized digital download card.\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853252845,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/SHOP_IP093_DavidJ_TracksRevisited_LP_cover_Black_03.jpg?v=1781649710"},{"product_id":"louder-than-you-think-a-lo-fi-history-of-gary-young-pavement-black-vinyl","title":"Louder Than You Think: A Lo-Fi History of Gary Young \u0026 Pavement Black Vinyl","description":"\u003cp\u003eA one-of-a-kind man with a one-of-a-kind music career deserves a one-of-a-kind documentary. And that movie deserves a one-of-a-kind soundtrack. The man in question is Gary Young, a true original in life and behind the drum kit, who, when he was approaching the ripe old age of 40, joined twenty-somethings Stephen Malkmus and Scott Kannberg (Spiral Stairs), thus becoming the original drummer as well as producer for soon-to-become indie royalty Pavement.\u003c\/p\u003e\n\u003cp\u003eThe movie about his wildly unlikely story is \u003cem\u003eLouder Than You Think: A Lo-Fi History of Gary Young \u0026amp; Pavement, \u003c\/em\u003ea SXSW winner with a psychedelic heart and special contributions from…puppets. So here’s the soundtrack, at last: selections from Gary Young’s singular, dexterous rock ’n’ roll life sitting next to original music composed by Edward W. Dahl \u003cem\u003e(Jodorowsky’s Dune) \u003c\/em\u003eand Noah Georgeson (Joanna Newsom, Devendra Banhart, Cate Le Bon).\u003c\/p\u003e\n\u003cp\u003eThe days of hardcore punk and post-punk are well represented by The Authorities, The Fall of Christianity (the Stockton rebels that struck a chord with a teenage Spiral Stairs), Hot Spit Dancers and CRLLL. So is Gary’s final brush with fame: the merry chaos of Hospital, his post-Pavement nearly-solo venture mostly remembered for improbable MTV favourite ‘Plantman’.\u003c\/p\u003e\n\u003cp\u003ePavement themselves make memorable appearances throughout the record with ultra-rare live tracks, as well as something quite special: a Gary Young-penned oddity, with Gary on vocals accompanied by his old friends Scott and Stephen, recorded for the movie shortly before Gary’s passing in August 2023.\u003c\/p\u003e\n\u003cp\u003eProudly resistant to genres and conventions, the \u003cem\u003eLouder Than You Think\u003c\/em\u003e soundtrack is as complex, fun, puzzling and ultimately lovable as the alcohol-fueled hippie who helped define the sound of all things lo-fi, indie rock and slacker in between headstands.\u003c\/p\u003e\n\u003cp\u003eThis Black Vinyl edition features IPR’s custom die-cut Unipak style gatefold jacket with artwork based on the original film graphics, including a six-page folding insert with rare photos, essays by Jackson Griffith and Kelly Foley, lyrics, and musicians list. Includes download card with a unique code for a free digital download of the album. (See our separate listings for the Lime Green Vinyl and CD editions.)\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853285613,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/260511_LTYT_package_IP094Black_LP_01.jpg?v=1778687584"},{"product_id":"woo-whichever-way-you-are-going-you-are-going-wrong-double-lp-clear-vinyl","title":"WOO  -  Whichever Way You Are Going, You Are Going Wrong Double LP (Clear Vinyl)","description":"\u003cp\u003eIndependent Project Records is proud to announce that U.K. cult band WOO has reissued their debut album, Whichever Way You Are Going, You Are Going Wrong, originally released in 1982, as an expanded edition on the band’s The Sunshine Series Records label.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe remixed and remastered expanded edition of Whichever Way You Are Going, You Are Going Wrong includes new album cover art and ten previously unreleased bonus tracks, presented as a ‘mini’ album with the clear and black vinyl editions and as bonus tracks on the Special Edition CD. The album is also available digitally. This genre and time-defying selection of songs marked the public’s first exposure to the wild sonic experimentations that brothers Mark Ives and Clive Ives would be known for over the following decades.\u003c\/p\u003e\n\u003cp\u003e\"Mark and I had been home recording for five very prolific years before Whichever Way You Are Going, You Are Going Wrong was compiled,” says WOO’s Clive Ives. “The thirteen tracks we selected from this period are very diverse in style, yet magically complimentary.\"\u003c\/p\u003e\n\u003cp\u003eIn 1982, as brothers Mark and Clive Ives first opened the doors to their home studio in South London, the world met WOO – a duo that escaped genre and definition, making music that was proudly unrestrained, constantly mutating and always surprising. From its very title, debut LP Whichever Way You Are Going, You Are Going Wrong asserted the brothers Ives as tireless explorers of multifarious shape-shifting musical directions – the album blended kaleidoscopic jazz and analogue electronica, free-flowing pop and unearthly muzak, retro fun and futuristic adventures. “WOO can sound as soft as a Martini ad, as sharp as a stab of conscience and often, brilliantly, both,” the Melody Maker noted at the time.\u003c\/p\u003e\n\u003cp\u003eFinally remastered and reissued in a sumptuous package, Whichever Way You Are Going, You Are Going Wrong proves to be not only out of time but timeless. It comes with a bonus mini-album of previously unreleased rarities from the late ‘70s and ‘80s, assembled by the brothers with the same spirit that informed the making of their first groundbreaking release. \u003c\/p\u003e\n\u003cp\u003eThis listing is for the clear vinyl LP, which includes the ten additional tracks on an extra 10-track LP mastered at 45 RPM. (See our separate listings for the black vinyl and CD editions.)\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853383917,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/04089872-244c3f_6a6e814a78bd43d78338095674c85d5b_mv2.jpg?v=1774300794"},{"product_id":"shiva-burlesque-the-great-quiet-ipr-xlv-anniversary-black-vinyl-7-gift-bag","title":"SHIVA BURLESQUE + THE GREAT QUIET - IPR XLV Anniversary Black Vinyl 7\" Gift Bag","description":"\u003cp\u003eThis IPR XLV Anniversary event Gift Bag contains the IPR XLV 7” single (a limited letterpress-printed, numbered edition of 500), an IPR XLV 45 RPM adapter, and an IPR logo sticker. Created to celebrate Independent Project Records' 45th Anniversary celebration in Los Angeles in early November 2025.\u003c\/p\u003e\n\u003cp\u003eIt just feels right that to celebrate its 45th anniversary, beloved indie label Independent Project Records — an enterprise that was always run by artists, with unrestrained artistry as its top priority — would offer an immersive check in with its two owners. \u003c\/p\u003e\n\u003cp\u003eIt comes, of course, in the form of a 45 RPM single: founder Bruce Licher is on one side, once again offering transfixing cinematic soundscapes as one half of the beautifully named duo The Great Quiet (the other half being his partner in life and art, Karen Licher). These are the sonic seeds planted by all-time IPR favorites Scenic, blossoming into something more pensive and opalescent. Guitar-driven ambient for the minutes before the rain hits the desert.\u003c\/p\u003e\n\u003cp\u003eIf The Great Quiet's ‘Round Valley Walkabout’ seems born to soundtrack destination-free outings where the sun breaks through the clouds to show unexpected paths, then ‘Raven (Ascending)' is a spell to be savored in the still of the night. And who could possibly cast it if not Shiva Burlesque — the band formed in the middle of the '80s by Jeffrey Clark (who’d relaunch IPR together with Licher in 2020) and Grant-Lee Phillips. Peerless purveyors of the kind of post-punk practiced by Romantics with a guitar in one hand and a dog-eared chapbook in the other, the group are reunited and sounding better than ever: consider the song an invite to stroll down a dimly lit Hollywood with Verlaine leading the way (Paul or Tom — that’s entirely your choice). \u003c\/p\u003e\n\u003cp\u003eHappy Birthday, IPR.\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853482221,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/2887833e-244c3f_d22b67691cd34321996691c57e1e384d_mv2.jpg?v=1774300794"},{"product_id":"woo-whichever-way-you-are-going-you-are-going-wrong-special-edition-cd","title":"WOO  -  Whichever Way You Are Going, You Are Going Wrong Special Edition CD","description":"\u003cp\u003eIndependent Project Records is proud to announce that U.K. cult band WOO has reissued their debut album, Whichever Way You Are Going, You Are Going Wrong, originally released in 1982, as an expanded edition on the band’s The Sunshine Series Records label.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe remixed and remastered expanded edition of Whichever Way You Are Going, You Are Going Wrong includes new album cover art and ten previously unreleased bonus tracks, presented as a ‘mini’ album with the black and clear vinyl editions and as bonus tracks on the Special Edition CD. The album is also available digitally. This genre and time-defying selection of songs marked the public’s first exposure to the wild sonic experimentations that brothers Mark Ives and Clive Ives would be known for over the following decades.\u003c\/p\u003e\n\u003cp\u003e\"Mark and I had been home recording for five very prolific years before Whichever Way You Are Going, You Are Going Wrong was compiled,” says WOO’s Clive Ives. “The thirteen tracks we selected from this period are very diverse in style, yet magically complimentary.\"\u003c\/p\u003e\n\u003cp\u003eIn 1982, as brothers Mark and Clive Ives first opened the doors to their home studio in South London, the world met WOO – a duo that escaped genre and definition, making music that was proudly unrestrained, constantly mutating and always surprising. From its very title, debut LP Whichever Way You Are Going, You Are Going Wrong asserted the brothers Ives as tireless explorers of multifarious shape-shifting musical directions – the album blended kaleidoscopic jazz and analogue electronica, free-flowing pop and unearthly muzak, retro fun and futuristic adventures. “WOO can sound as soft as a Martini ad, as sharp as a stab of conscience and often, brilliantly, both,” the Melody Maker noted at the time.\u003c\/p\u003e\n\u003cp\u003eFinally remastered and reissued in a sumptuous package, Whichever Way You Are Going, You Are Going Wrong proves to be not only out of time but timeless. It comes with a bonus mini-album of previously unreleased rarities from the late ‘70s and ‘80s, assembled by the brothers with the same spirit that informed the making of their first groundbreaking release. \u003c\/p\u003e\n\u003cp\u003eThis listing is for the Special Edition CD, which includes the ten additional songs as bonus tracks. On vinyl editions, the ten additional tracks appear as an extra 10-track LP mastered at 45 RPM. (See our separate listings for the black vinyl and clear vinyl editions.)\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853416685,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/260511_package_SUN1USWoo_SECD_01.jpg?v=1778689620"},{"product_id":"louder-than-you-think-a-lo-fi-history-of-gary-young-pavement-pink-vinyl","title":"Louder Than You Think: A Lo-Fi History of Gary Young \u0026 Pavement Pink Vinyl","description":"\u003cp\u003eA one-of-a-kind man with a one-of-a-kind music career deserves a one-of-a-kind documentary. And that movie deserves a one-of-a-kind soundtrack. The man in question is Gary Young, a true original in life and behind the drum kit, who, when he was approaching the ripe old age of 40, joined twenty-somethings Stephen Malkmus and Scott Kannberg (Spiral Stairs), thus becoming the original drummer as well as producer for soon-to-become indie royalty Pavement.\u003c\/p\u003e\n\u003cp\u003eThe movie about his wildly unlikely story is \u003cem\u003eLouder Than You Think: A Lo-Fi History of Gary Young \u0026amp; Pavement, \u003c\/em\u003ea SXSW winner with a psychedelic heart and special contributions from…puppets. So here’s the soundtrack, at last: selections from Gary Young’s singular, dexterous rock ’n’ roll life sitting next to original music composed by Edward W. Dahl \u003cem\u003e(Jodorowsky’s Dune) \u003c\/em\u003eand Noah Georgeson (Joanna Newsom, Devendra Banhart, Cate Le Bon).\u003c\/p\u003e\n\u003cp\u003eThe days of hardcore punk and post-punk are well represented by The Authorities, The Fall of Christianity (the Stockton rebels that struck a chord with a teenage Spiral Stairs), Hot Spit Dancers and CRLLL. So is Gary’s final brush with fame: the merry chaos of Hospital, his post-Pavement nearly-solo venture mostly remembered for improbable MTV favourite ‘Plantman’.\u003c\/p\u003e\n\u003cp\u003ePavement themselves make memorable appearances throughout the record with ultra-rare live tracks, as well as something quite special: a Gary Young-penned oddity, with Gary on vocals accompanied by his old friends Scott and Stephen, recorded for the movie shortly before Gary’s passing in August 2023.\u003c\/p\u003e\n\u003cp\u003eProudly resistant to genres and conventions, the \u003cem\u003eLouder Than You Think\u003c\/em\u003e soundtrack is as complex, fun, puzzling and ultimately lovable as the alcohol-fueled hippie who helped define the sound of all things lo-fi, indie rock and slacker in between headstands.\u003c\/p\u003e\n\u003cp\u003eThis clear Pink Vinyl edition features IPR’s custom die-cut Unipak style gatefold jacket with artwork based on the original film graphics, including a six-page folding insert with rare photos, essays by Jackson Griffith and Kelly Foley, lyrics, and musicians list. Includes download card with a unique code for a free digital download of the album. (See our separate listings for the Lime Green Vinyl, Black Vinyl and CD editions.)\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853449453,"sku":null,"price":33.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/260511_LTYT_package_IP094CVPink_LP_01.jpg?v=1778687482"},{"product_id":"the-well-the-independent-project-records-collection-ii-special-edition-cd","title":"THE WELL - The Independent Project Records Collection II - Special Edition CD","description":"\u003cp\u003eTHE WELL is Independent Project Records’ own take on digging deep and unearthing revelatory treasures from its 45-year history. A trip through the past, present and future of a label that since 1980 has made the most prominent part of its name, that resounding “Independent”, not a trendy epithet but a mission.\u003c\/p\u003e\n\u003cp\u003eThe two-album compilation is an invite to join the dots and find out what makes Afterimage – the early '80s band The Los Angeles Times once called “LA’s own Joy Division” – and Alison Clancy – the artist making ethereal ambient dream pop in the basement of New York’s Metropolitan Opera House, where she works as a dancer – kindred spirits. You’re invited to find similarities in the way The Ophelias reclaimed San Francisco’s unfettered psychedelic rock roots at a time (the mid '80s) when the city had consigned itself  to the commercial muscle of arena rock, and the way Half String brought a wide-eyed shoegaze revolution outside of '90s indie’s hotspots, heading the Beautiful Noise scene in Arizona.\u003c\/p\u003e\n\u003cp\u003eWhat all the artists appearing in this decades-spanning, genre-defying compilation seem to have in common is a certain transfixing quality. It may be put in motion by the hypnotic rumble of a post-punk groove or by the celestial peaks of an ambient piece so immersive it seems capable of freezing time. These are musicians with a determination to do things their own way. \u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853514989,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/260511_WELL_package_IP091_SECD_01.jpg?v=1778687746"},{"product_id":"david-j-tracks-from-the-attic-revisited-special-edition-cd","title":"DAVID J - Tracks From the Attic Revisited Special Edition CD","description":"\u003cp\u003eWhen he first went digging through boxes of old tapes, Bauhaus and Love and Rockets co-founder David J didn’t yet know that he was about to embark on a long, fruitful conversation with his own past, present and even future self. 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It’s an arresting distillation of David J’s eclectic taste and the ever evolving musicality that came out of it: from the influence of late ‘70s New Wave to a lifelong love of classic country and Nick Drake-like romanticism.\u003cbr\u003e\u003cbr\u003eWhere the original \u003cem\u003eTracks from the Attic\u003c\/em\u003e invited listeners to be present in the room as a young singer-songwriter found his own way (wandering in the fields of experimentation and collecting the meanderings that followed), the new album puts us in front of an artist who has honed his craft and mastered the art of pruning. Indeed, David J compares the making of \u003cem\u003eTracks From the Attic Revisited\u003c\/em\u003e to the tending of a garden. “The demos were like neglected little seeds that had been set aside, or fallen on fallow land,” he reflects. “They’ve been gathered up, nurtured, tended and brought back to life as little buds. 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(See our separate listings for the color vinyl and CD editions.)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853613293,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/260511_package_IP092_Runnings_LP_01.jpg?v=1778688370"},{"product_id":"jeffrey-runnings-piqued-special-edition-cd","title":"JEFFREY RUNNINGS  -  Piqued Special Edition CD","description":"\u003cdiv\u003e\n\u003cp\u003eSome forty years after a fan letter from Nebraska resulted in Independent Project Records commencing a decades-long collaboration with post-punk cult favourites turned dream pop visionaries For Against, the label proudly presents Piqued, the last album from For Against chief songwriter, lead singer, bass player and only constant member Jeffrey Runnings.\u003c\/p\u003e\n\u003cp\u003eA posthumous release that’s also a celebration of the artist’s lifelong quest for a sound that, stripped to the bones, is all the more powerful and cathartic for its restraint, Piqued was recorded by Runnings at home on an old 8-track cassette machine. 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(See our separate listings for the black vinyl and color vinyl editions.)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853646061,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/0a77c073-244c3f_06cac09c8a8547c39a7c6768e5ad9668_mv2.jpg?v=1774300795"},{"product_id":"springhouse-from-now-to-ok-special-edition-double-cd","title":"SPRINGHOUSE - From Now to OK - Special Edition Double CD","description":"\u003cp\u003eOriginally released as a limited edition CD in 2008 by Independent Project Records, this new expanded edition is being released on vinyl, CD and digital formats and includes previously unreleased demos, rarities and live tracks.\u003c\/p\u003e\n\u003cp\u003eFrom Now to OK captures Springhouse exploring a more acoustic, folk rock-indebted sound; still showing their trademark flair for dreamy melodic textures, the ever-Anglophile Springhouse can be heard embracing the late sixties influence of Nick Drake and The Beatles.\u003c\/p\u003e\n\u003cp\u003eThis new CD edition as been remastered by Josh Bonati and also includes the second bonus disc of demos and rarities, packaged with a folding insert in an oversized CD pocket folder letterpress-printed by hand at Independent Project Press. (Please see our other listings for the Transluscent Orange vinyl and Black vinyl editions.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNew York trio Springhouse may be best remembered as the first major-signed, nationally touring U.S. shoegaze band of the original era: a 1991 MTV video, “Layers,” a Rolling Stone feature and copious airplay brought notice to two memorable albums on the fabled Virgin Records’ subsidiary Caroline Records. The group started with a hot debut single for Singles Only (a label founded by Bob Mould, Maxwell’s Steve Fallon and radio DJ Nick Hill) then signed to Caroline, who released their first two albums, 1991’s Land Falls (featuring superb design by IPR’s Bruce Licher) and 1993’s Postcards From the Arctic.\u003c\/p\u003e\n\u003cp\u003eSpringhouse were among the first Americans to cover My Bloody Valentine and share stages across the country with the likes of Ride, House of Love, The Chills, Psychedelic Furs, Belly and Lemonheads. The three are also fondly recalled for their utterly unique contribution to the original dreampop movement\/explosion: singer\/songwriter Mitch Friedland exclusively played small, nylon-stringed acoustic guitars, heavily processed through customized pickups with wicked effects, while employing an endless battery of alternate tunings. Amidst the trio’s melodic guitar-pop prowess, Friedland’s accentuation of latent sixties Britfolk underpinnings made them truly singular in the shoegaze\/dreampop era. This, combined with bassist Larry Heinemann and drummer Jack Rabid’s supple yet sometimes more punky, bolstering attack, a crisp sound, exuberant ensemble playing, highly evolved arrangements, and a love of a tune to die for, proved to be their calling card.\u003c\/p\u003e\n\u003cp\u003eAll in all, Springhouse were one of New York’s, and the U.S.’s, finest pre-Nirvana indie rock bands—and remain one whenever they choose to come out of retirement again. \u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853678829,"sku":null,"price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/5887c135-244c3f_74c4e16bbec94fe58c202643d42a0df2_mv2.jpg?v=1774300794"},{"product_id":"springhouse-from-now-to-ok-black-vinyl-lp","title":"SPRINGHOUSE - From Now to OK - Black Vinyl LP","description":"\u003cp\u003eFIRST TIME ON VINYL! 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Please see our other listings for the Translucent Orange vinyl and CD editions.\u003c\/p\u003e\n\u003cp\u003eNew York trio Springhouse may be best remembered as the first major-signed, nationally touring U.S. shoegaze band of the original era: a 1991 MTV video, “Layers,” a Rolling Stone feature and copious airplay brought notice to two memorable albums on the fabled Virgin Records’ subsidiary Caroline Records. The group started with a hot debut single for Singles Only (a label founded by Bob Mould, Maxwell’s Steve Fallon and radio DJ Nick Hill) then signed to Caroline, who released their first two albums, 1991’s Land Falls (featuring superb design by IPR’s Bruce Licher) and 1993’s Postcards From the Arctic.\u003c\/p\u003e\n\u003cp\u003eSpringhouse were among the first Americans to cover My Bloody Valentine and share stages across the country with the likes of Ride, House of Love, The Chills, Psychedelic Furs, Belly and Lemonheads. The three are also fondly recalled for their utterly unique contribution to the original dreampop movement\/explosion: singer\/songwriter Mitch Friedland exclusively played small, nylon-stringed acoustic guitars, heavily processed through customized pickups with wicked effects, while employing an endless battery of alternate tunings. Amidst the trio’s melodic guitar-pop prowess, Friedland’s accentuation of latent sixties Britfolk underpinnings made them truly singular in the shoegaze\/dreampop era. 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If the early days of Scenic were all sand and dust, The Acid Gospel Experience proves soothingly airy and enveloping: it’s an epic, sprawling 73-minute suite of evocative ambient space rock that finds Scenic expanding their improvisational skills and broadening their sonic palette to incorporate instruments such as sitar, vibes and congas, as well as new guitar effects and sounds.\u003c\/p\u003e\n\u003cp\u003eFrom the upbeat krautrock-indebted psychedelia of ‘Lightspeed’ to free-flowing 18-minute closer ‘A Journey through the Outer Reaches of Inner Space’ - an improvised yet focused piece that captures the group at their most spontaneous, the kind of mini-epic that’s eager to transport listeners into another dimension - the impressionistic psychedelia at the heart of The Acid Gospel Experience looks back at the unfettered experimentations of early 70s German rock while remaining unmistakably Scenic. The album also includes a guest appearance by minimalist elder statesman Harold Budd, who had become a fan of Scenic’s music over the years and appears on ‘Under a Wing’.\u003c\/p\u003e\n\u003cp\u003eNow available for the first time on vinyl, Independent Project Records’ newly-remastered double-LP release of this extraordinary album is packaged in a deluxe Unipak-style gatefold jacket on translucent ice green vinyl in a numbered edition of 1000 copies for Record Store Day 2024. \u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853777133,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/e46bd60d-244c3f_efbe03c7a7364b78a79559b1b0c31114_mv2.jpg?v=1774300795"},{"product_id":"springhouse-from-now-to-ok-orange-vinyl-lp","title":"SPRINGHOUSE - From Now to OK - Orange Vinyl LP","description":"\u003cp\u003eFIRST TIME ON VINYL! 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Please see our other listings for the Black vinyl and CD editions.\u003c\/p\u003e\n\u003cp\u003eNew York trio Springhouse may be best remembered as the first major-signed, nationally touring U.S. shoegaze band of the original era: a 1991 MTV video, “Layers,” a Rolling Stone feature and copious airplay brought notice to two memorable albums on the fabled Virgin Records’ subsidiary Caroline Records. The group started with a hot debut single for Singles Only (a label founded by Bob Mould, Maxwell’s Steve Fallon and radio DJ Nick Hill) then signed to Caroline, who released their first two albums, 1991’s Land Falls (featuring superb design by IPR’s Bruce Licher) and 1993’s Postcards From the Arctic.\u003c\/p\u003e\n\u003cp\u003eSpringhouse were among the first Americans to cover My Bloody Valentine and share stages across the country with the likes of Ride, House of Love, The Chills, Psychedelic Furs, Belly and Lemonheads. 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This album might surprise a few people.”\u003cbr\u003e\u003cbr\u003eAfter completing the guitar-based solo album 'Songs from the Imperial Garden' (a collection of instrumentals brimming with acoustic intimacy that he would release in 2020), Lisher thought it was time for something different. 'Underwater Detection Method' sees Greg for the first time writing songs using keyboards and exploring a new world of synthesized sounds. Always a lover of keyboards and synths, and of the more experimental excursions of favorite artists such as Brian Eno, Greg took the plunge and\u003cspan\u003e made the decision to finally release a solo album that was anything but guitar-centric.\u003cbr\u003e\u003cbr\u003eThe resulting 12-songs make for an instrumental record shaded with elements of art rock, ambient, dub and prog conjuring an inspired fusion that manages to split the difference between the melodic and the experimental. Some tracks seem born to accompany the emotional climax of an unforgettable movie, while others wouldn’t feel out of place in a volume of the KPM 1000 series. With this new self-produced album Greg approached songwriting with an open-minded disposition; he’d start songs by experimenting with sound collage which would take him to places he did not expect to go. “It’s like fishing,” he says, “I have no idea what I’m going to catch.” The album’s title reflects that analogy and reveals a most vibrant, creative eagerness. Lisher might have joined Camper Van Beethoven some 39 years ago, but 'Underwater Detection Method' shows that you never know when you’ll discover new things about yourself or the music you make and love.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis clear vinyl LP edition of Underwater Detection Method features a 5-color custom Unipak-style LP jacket with metallic ink, along with a pinhole-perforated photographic insert and an oversized download card for a free digital download of the album. Comes with a numbered barcode\/OBI wrap with promotional text, limited to 500 copies on clear vinyl. See our other UDM merch listings for our black vinyl LP edition, our numbered Special Edition CD version, and a normal-sized Wallet Edition CD.\u003c\/p\u003e\n\u003cp\u003eGreg Lisher (keyboards, programming, fretted and fretless bass, baritone guitar, electric guitar)\u003cbr\u003eMichael Jerome (drums, percussion)\u003cbr\u003eStevie Blacke (violin, viola and cello)\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853809901,"sku":null,"price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/9647a915-e1014b_7abe5ece96a54c55b2c707f5f52f70f6_mv2.jpg?v=1774300795"},{"product_id":"afterimage-faces-to-hide-special-edition-cd","title":"AFTERIMAGE  -  Faces To Hide Special Edition CD","description":"\u003cdiv\u003eThe original line-up of Afterimage may have only existed for a couple of years and released merely one single and one EP, but their take on post-punk—at once raw and explorative, with one eye to the sound that was emanating from across the ocean and one to a past-acknowledging future— left a mark in the underground sonic psyche of the City of Angels. \u003cem\u003eFaces to Hide\u003c\/em\u003e collects all of Afterimage’s studio recordings, plus demos and live tracks from performances at now legendary spots such as Whisky a Go Go and Al’s Bar.\u003cbr\u003e\u003cbr\u003eListening to this compilation, one can picture the four members of Afterimage—Alec Tension (Dan Voznick), A Produce (aka future ambient explorer Barry Craig), Rich Evac (Rich Robinson) and Holland DeNuzzio—bonding over a love of Public Image Ltd, Pere Ubu, Magazine, The Fall, Gang of Four and Television, while eagerly adding unexpected detours (surf rock, electrifying blasts of saxophone). \u003cem\u003eFaces to Hide\u003c\/em\u003e also makes it easy to see why, back in the day, the Los Angeles Times was compelled to call Afterimage “L.A.’s Joy Division”. Similarly to the UK trailblazers (of whom they were among the first avowed admirers among the LA punks), Afterimage seemed to sculpt their sound in marble, coming up with hypnotic skittery sonics revealed to be chilly upon their surface and fiery in their\u003cspan\u003e details.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFaces to Hide\u003c\/em\u003e proves as scathing, urgent, taut, angular and gripping as Afterimage’s scarce but unforgettable output must have sounded more than forty years ago. Packaged with a 24-page CD booklet featuring extensive, career-spanning liner notes by noted journalist Richie Unterberger and previously unseen band photos, \u003cem\u003eFaces to Hide\u003c\/em\u003e also features Independent Project Records’ signature hand letterpress-printed custom design for the vinyl and CD packaging.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eThis numbered Special Edition CD features the iconic hand-letterpress printed oversized die cut pocket folder packaging designed and created by Bruce Licher at his Independent Project Press, and in addition to the 24-page booklet includes one of 4 different letterpress-printed glassine sleeves to hold the CD.\u003c\/div\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853908205,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/3026218b-e1014b_d819675aabc44bda93e68a43ae52a6ee_mv2.jpg?v=1774300794"},{"product_id":"afterimage-faces-to-hide-double-lp-on-black-vinyl","title":"AFTERIMAGE  -  Faces To Hide double LP on Black Vinyl","description":"\u003cdiv\u003eThe original line-up of Afterimage may have only existed for a couple of years and released merely one single and one EP, but their take on post-punk—at once raw and explorative, with one eye to the sound that was emanating from across the ocean and one to a past-acknowledging future— left a mark in the underground sonic psyche of the City of Angels. \u003cem\u003eFaces to Hide\u003c\/em\u003e collects all of Afterimage’s studio recordings, plus demos and live tracks from performances at now legendary spots such as Whisky a Go Go and Al’s Bar.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eListening to this compilation, one can picture the four members of Afterimage—Alec Tension (Dan Voznick), A Produce (aka future ambient explorer Barry Craig), Rich Evac (Rich Robinson) and Holland DeNuzzio—bonding over a love of Public Image Ltd, Pere Ubu, Magazine, The Fall, Gang of Four and Television, while eagerly adding unexpected detours (surf rock, electrifying blasts of saxophone). \u003cem\u003eFaces to Hide\u003c\/em\u003e also makes it easy to see why, back in the day, the Los Angeles Times was compelled to call Afterimage “L.A.’s Joy Division”. Similarly to the UK trailblazers (of whom they were among the first avowed admirers among the LA punks), Afterimage seemed to sculpt their sound in marble, coming up with hypnotic skittery sonics revealed to be chilly upon their surface and fiery in their\u003cspan\u003e details.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFaces to Hide\u003c\/em\u003e proves as scathing, urgent, taut, angular and gripping as Afterimage’s scarce but unforgettable output must have sounded more than forty years ago. Packaged with a 8-page booklet featuring extensive, career-spanning liner notes by noted journalist Richie Unterberger and previously unseen band photos, \u003cem\u003eFaces to Hide\u003c\/em\u003e also features Independent Project Records’ signature hand letterpress-printed custom design for the vinyl and CD packaging.\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThis d\u003c\/span\u003eouble LP comes with a bonus flexi-disc containing previously unreleased exclusive tracks and is a numbered vinyl edition which comes in IPR’s iconic die-cut packaging, letterpress printed at Independent Project Press. Includes a postcard-sized full-color download card with code for a free download of the album with 4 bonus tracks.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eThis listing is for a copy of the black vinyl \"Faces To Hide\" retrospective double LP\u003cmeta charset=\"utf-8\"\u003e—please see our other listings for the white vinyl or CD versions, or order our limited Afterimage bundle featuring a copy of \u003cem\u003eFaces To Hide\u003c\/em\u003e along with an original sealed copy of Afterimage's \"Fade In\" 12\" EP from 1981.\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853940973,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/eaa3bf48-e1014b_753592f4f1b74649b0755bafa53830fb_mv2.jpg?v=1774300800"},{"product_id":"afterimage-faces-to-hide-double-lp-on-white-vinyl","title":"AFTERIMAGE  -  Faces To Hide double LP on White Vinyl","description":"\u003cdiv\u003eThe original line-up of Afterimage may have only existed for a couple of years and released merely one single and one EP, but their take on post-punk—at once raw and explorative, with one eye to the sound that was emanating from across the ocean and one to a past-acknowledging future— left a mark in the underground sonic psyche of the City of Angels. \u003cem\u003eFaces to Hide\u003c\/em\u003e collects all of Afterimage’s studio recordings, plus demos and live tracks from performances at now legendary spots such as Whisky a Go Go and Al’s Bar.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eListening to this compilation, one can picture the four members of Afterimage—Alec Tension (Dan Voznick), A Produce (aka future ambient explorer Barry Craig), Rich Evac (Rich Robinson) and Holland DeNuzzio—bonding over a love of Public Image Ltd, Pere Ubu, Magazine, The Fall, Gang of Four and Television, while eagerly adding unexpected detours (surf rock, electrifying blasts of saxophone). \u003cem\u003eFaces to Hide\u003c\/em\u003e also makes it easy to see why, back in the day, the Los Angeles Times was compelled to call Afterimage “L.A.’s Joy Division”. Similarly to the UK trailblazers (of whom they were among the first avowed admirers among the LA punks), Afterimage seemed to sculpt their sound in marble, coming up with hypnotic skittery sonics revealed to be chilly upon their surface and fiery in their\u003cspan\u003e details.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFaces to Hide\u003c\/em\u003e proves as scathing, urgent, taut, angular and gripping as Afterimage’s scarce but unforgettable output must have sounded more than forty years ago. Packaged with a 8-page booklet featuring extensive, career-spanning liner notes by noted journalist Richie Unterberger and previously unseen band photos, \u003cem\u003eFaces to Hide\u003c\/em\u003e also features Independent Project Records’ signature hand letterpress-printed custom design for the vinyl and CD packaging.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThis d\u003c\/span\u003eouble LP comes with a bonus flexi-disc containing previously unreleased exclusive tracks and is a numbered vinyl edition which comes in IPR’s iconic die-cut packaging, letterpress printed at Independent Project Press. Includes a postcard-sized full-color download card with code for a free download of the album with 4 bonus tracks.\u003cbr\u003e\u003cbr\u003eThis listing is for a copy of the white vinyl \"Faces To Hide\" retrospective double LP\u003cmeta charset=\"utf-8\"\u003e—please see our other listings for the black vinyl or CD versions, or order our limited Afterimage bundle featuring a copy of Faces To Hide along with an original sealed copy of Afterimage's \"Fade In\" 12\" EP from 1981.\u003c\/div\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854039277,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/bc13480c-e1014b_cde9a4d4d6b348e6ad0aae8c647d2d1f_mv2.jpg?v=1774300800"},{"product_id":"woo-xylophonics-robot-x-black-vinyl-double-lp","title":"WOO - Xylophonics\/Robot X black vinyl double LP","description":"\u003cp\u003eFIRST TIME ON VINYL!  Double album package of both \u003cem\u003eRobot X\u003c\/em\u003e and \u003cem\u003eXylophonics\u003c\/em\u003e IPR reissues in one black vinyl set. Packaged in a numbered, hand-letterpress printed die cut LP jacket complete with letterpress-printed stamp sheet in a folding booklet insert. \u003c\/p\u003e\n\u003cp\u003eIt was the mid-1980s when Independent Project Records first made contact with brothers Mark and Clive Ives, the remarkably prolific purveyors of exquisite shapeshifting electronic music under the moniker of Woo, making cult favorites such as \u003cem\u003eWhichever Way You Are Going\u003c\/em\u003e, \u003cem\u003eYou Are Going Wrong \u003c\/em\u003eand \u003cem\u003eIt’s Cosy Inside\u003c\/em\u003e available for the first time in the US at the end of the decade. Almost forty years later, the brothers have been remarkably prolific and Independent Project Records is in the fourth year of its relaunch. Time to join forces again.\u003cbr\u003e\u003cbr\u003eMore than a simple reissue, the new team-up of Woo and IPR debuts with a special selection of two works, \u003cem\u003eRobot X\u003c\/em\u003e and \u003cem\u003eXylophonics\u003c\/em\u003e: the albums were first self-released digitally on their Bandcamp page in 2016 and 2017 respectively, and have now been reshaped, expanded, and newly conceived as companion pieces. Listening to \u003cem\u003eRobot X\u003c\/em\u003e and \u003cem\u003eXylophonics\u003c\/em\u003e side by side makes for a fascinating, and ever surprising, journey into experimental retro-futuristic electronica.\u003cbr\u003e\u003cbr\u003eThere are more than 1000 tracks in Mark and Clive Ives’ archives (which collect material from the 1970s through 2005); over the last decade the brothers have been busy creating albums from these old recordings, sometimes overdubbing the existing tracks, sometimes adding newer contemporary music. To briefly describe their process: the two create short lists of the archives with sounds they feel complement each other (for instance, they can be melodic, or optimistic, or surreal…). Then begins the process of creating a track listing. Once they get something down to an album duration, they start listening… and there comes a concept, a title and the artwork for a new release.\u003cbr\u003e\u003cbr\u003eThat’s how \u003cem\u003eRobot X\u003c\/em\u003e was conceived, utilizing snippets of recordings made on a 4-track tape machine in the late 1980s. “One of our most abstract and surreal albums”, Clive Ives calls it. When the record was compiled in 2016, the brothers felt that the reality of humanoid robots being made and being used was immanent. This concept became the main inspiration for the album, fueled by the influence of Terry Gi\u003cem\u003elliam\u003c\/em\u003e’s 1985 masterpiece \u003cem\u003eBrazil\u003c\/em\u003e, with its blend of sci-fi and dark comedy. The story, set in a dystopian world in which there is an over-reliance on poorly maintained (and rather whimsical) machines, proved influential for \u003cem\u003eRobot X\u003c\/em\u003e’s artwork, too: Clive Ives\u003cbr\u003ecollaged together various old industrial machinery etchings from the British Museum archives to create robots, coming up with something that is obviously not as practical and functional as modern (real world) robots are.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eXylophonics\u003c\/em\u003e was birthed through a similar process, reworking tracks found in the ‘90s section of the brothers’ spacious archive. Back then, they had just begun recording onto computers, and the album proved their first opportunity to properly link drum machines with keyboards, and create loops and multitrack more layers without the need of sound on sound on a tape deck. These recordings also find the brothers working on melodic pattern loops made with the tuned percussion instruments they’ve always had a special interest in (such as marimba, kalimba and xylophone), weaving those with drums, and creating a feel that is at once futuristic and optimistic in the process.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRobot X\u003c\/em\u003e and \u003cem\u003eXylophonics\u003c\/em\u003e together tell a story of retro-futuristic visions from different angles: both proudly experimental, they combine a deluge of musical influences to offer something that is, quite remarkably, deeply layered and minimalist at the same time. The unpredictable instrumentals they unleash invite listeners to attach their own fantasies to what they hear, whether those fantasies belong to the past, the present or, more likely, a robotic future.\u003cbr\u003e\u003cbr\u003eReleased for the first time on vinyl and CD as double-disc sets encased in IPR label founder Bruce Licher’s singular letterpress packaging, complete with a handcrafted stamp booklet insert, these exquisite artifacts are a must for any serious collector of compelling contemporary musical endeavor.  \u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854072045,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/8838b973-e1014b_620c47f474814d6b9c6594de0f136abb_mv2.png?v=1774300801"},{"product_id":"woo-xylophonics-robot-x-clear-vinyl-double-lp","title":"WOO - Xylophonics\/Robot X clear vinyl double LP","description":"\u003cp\u003eFIRST TIME ON VINYL!  Double album package of both \u003cem\u003eRobot X\u003c\/em\u003e and \u003cem\u003eXylophonics\u003c\/em\u003e IPR reissues in one clear vinyl set. Packaged in a numbered, hand-letterpress printed die cut LP jacket complete with letterpress-printed stamp sheet in a folding booklet insert. \u003c\/p\u003e\n\u003cp\u003eIt was the mid-1980s when Independent Project Records first made contact with brothers Mark and Clive Ives, the remarkably prolific purveyors of exquisite shapeshifting electronic music under the moniker of Woo, making cult favorites such as \u003cem\u003eWhichever Way You Are Going\u003c\/em\u003e, \u003cem\u003eYou Are Going Wrong \u003c\/em\u003eand \u003cem\u003eIt’s Cosy Inside\u003c\/em\u003e available for the first time in the US at the end of the decade. Almost forty years later, the brothers have been remarkably prolific and Independent Project Records is in the fourth year of its relaunch. Time to join forces again.\u003cbr\u003e\u003cbr\u003eMore than a simple reissue, the new team-up of Woo and IPR debuts with a special selection of two works, \u003cem\u003eRobot X\u003c\/em\u003e and \u003cem\u003eXylophonics\u003c\/em\u003e: the albums were first self-released digitally on their Bandcamp page in 2016 and 2017 respectively, and have now been reshaped, expanded, and newly conceived as companion pieces. Listening to \u003cem\u003eRobot X\u003c\/em\u003e and \u003cem\u003eXylophonics\u003c\/em\u003e side by side makes for a fascinating, and ever surprising, journey into experimental retro-futuristic electronica.\u003cbr\u003e\u003cbr\u003eThere are more than 1000 tracks in Mark and Clive Ives’ archives (which collect material from the 1970s through 2005); over the last decade the brothers have been busy creating albums from these old recordings, sometimes overdubbing the existing tracks, sometimes adding newer contemporary music. To briefly describe their process: the two create short lists of the archives with sounds they feel complement each other (for instance, they can be melodic, or optimistic, or surreal…). Then begins the process of creating a track listing. Once they get something down to an album duration, they start listening… and there comes a concept, a title and the artwork for a new release.\u003cbr\u003e\u003cbr\u003eThat’s how \u003cem\u003eRobot X\u003c\/em\u003e was conceived, utilizing snippets of recordings made on a 4-track tape machine in the late 1980s. “One of our most abstract and surreal albums”, Clive Ives calls it. When the record was compiled in 2016, the brothers felt that the reality of humanoid robots being made and being used was immanent. This concept became the main inspiration for the album, fueled by the influence of Terry Gi\u003cem\u003elliam\u003c\/em\u003e’s 1985 masterpiece \u003cem\u003eBrazil\u003c\/em\u003e, with its blend of sci-fi and dark comedy. The story, set in a dystopian world in which there is an over-reliance on poorly maintained (and rather whimsical) machines, proved influential for \u003cem\u003eRobot X\u003c\/em\u003e’s artwork, too: Clive Ives\u003cbr\u003ecollaged together various old industrial machinery etchings from the British Museum archives to create robots, coming up with something that is obviously not as practical and functional as modern (real world) robots are.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eXylophonics\u003c\/em\u003e was birthed through a similar process, reworking tracks found in the ‘90s section of the brothers’ spacious archive. Back then, they had just begun recording onto computers, and the album proved their first opportunity to properly link drum machines with keyboards, and create loops and multitrack more layers without the need of sound on sound on a tape deck. These recordings also find the brothers working on melodic pattern loops made with the tuned percussion instruments they’ve always had a special interest in (such as marimba, kalimba and xylophone), weaving those with drums, and creating a feel that is at once futuristic and optimistic in the process.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRobot X\u003c\/em\u003e and \u003cem\u003eXylophonics\u003c\/em\u003e together tell a story of retro-futuristic visions from different angles: both proudly experimental, they combine a deluge of musical influences to offer something that is, quite remarkably, deeply layered and minimalist at the same time. 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Packaged in a numbered hand-letterpress printed die cut LP jacket with letterpress-printed inner sleeves for the LPs, a perforated insert, a postcard with digital download code for the full album and an outer OBI wrap. Also includes as a bonus a set of 3 CDs of the full triple album mounted on a letterpress-printed LP-sized card.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAttics have always exerted an irresistible allure on David J’s imagination. They can unveil luminous jewels that time and dust have rendered all but lost. With \u003cem\u003eTracks From the Attic\u003c\/em\u003e, the Bauhaus and Love and Rockets co-founder invites us to join him and climb up the ladder. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eA most fascinating journey ensues: we’re looking through boxes of tapes, getting reacquainted with an artist we’ve known for a long time—yet, the intimate songs he recorded in solitude over three decades reveal new sides to him. Even while busy with his two legendary groups, David J was bursting with songs; this is a thrilling selection of recordings he made between 1984 and 2004, some on the road and most at home, with only the help of his Muse, a recorder and a lit candle. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLike all good attic finds, these songs were committed to tape and almost forgotten—it wasn’t until a fan-cum-friend suggested he’d offer his digitizing skills that David thought about revisiting them again. All, except for deep cut ‘This Town’, had never previously been heard. The fact that most of these tunes did not end up becoming beloved classics (something that, once you hit play, your ears will hardly come to terms with) is but a sign of David J’s ever prolific creative state. Mostly composed on acoustic guitar, they will offer unexpected revelations to long-time fans, as they bring to light facets of his musical self that could not be fully expressed in a band setting. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIt is indeed fascinating to follow the evolution of David J’s art with songs through the decades, from the observational lyrical montages of the early days to a later, confident embrace of the deeply personal. At the same time, \u003cem\u003eTracks From the Attic\u003c\/em\u003e can also be seen as a striking introduction for newcomers—it does feel like meeting one of the great British singer-songwriters for the first time. ‘Oh No! Not Another Songwriter!’, one of the triple album set’s highlights cheekily cries out. Well, this set is evidence that, this is not just any songwriter… \u003c\/div\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854268653,"sku":null,"price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/5f6e3f36-e1014b_ea18343a170a4610aae26b8c79b305fd_mv2.jpg?v=1774300800"},{"product_id":"torn-boys-1983-compact-disc-bonus-dvd","title":"TORN BOYS - 1983 Compact Disc + bonus DVD","description":"\u003cp\u003eCollecting studio and live recordings, hit singles that never were, and enticing stray oddities all conceived in the span of one fecund year, \u003cem\u003e1983 \u003c\/em\u003echronicles the life and sonic adventure of the Torn Boys, a Stockton, California band comprising future members of Shiva Burlesque, Gary Young’s Hospital and Grant Lee Buffalo. It is, in fact, the first ever release from a group made for cultdom. Formed in late ‘82 by Jeffrey Clark and Kelly Foley, the Torn Boys soon welcomed Duncan Atkinson and then nineteen-year-old Grant-Lee Phillips into their ranks. At once urgent and literate, their recordings fend off basic categorization, conjuring the darker corners of neo-psychedelic California, infusing New Wave-era sensibilities with the moodier angle of home-grown, art-punk-surrealism.\u003cbr\u003e\u003cbr\u003eFormed in 1982 by Jeffrey Clark (vocals, electric guitar) and Kelly Foley (vocals, acoustic guitar) and disbanded by late 1983, the \u003cem\u003eTorn Boys\u003c\/em\u003e lived out their one and a half summers fusing dreamscape lyricism with ultra-’80’s synth rhythms and “Fripp meets Carl Perkins” electric guitar textures, leaving behind a scant recorded legacy before dissolving like the afternoon fog of their Stockton, CA home.\u003cbr\u003e\u003cbr\u003eNow emerging from that mythical mist for the first time is 1983, a comprehensive selection of studio and live recordings, hit singles that never were and enticing stray oddities.\u003cbr\u003e\u003cbr\u003eClark and Foley had been doing various projects together since they were teenagers, recording Dada-esque radio plays on cassette tape, making stoney Super-8 films and generally trying to stay out of trouble. In ’82, while Foley was also playing in a local avant-garage group called CRLLL, he and Clark began gigging at parties, small clubs and cafes, performing acoustic versions of songs by Television and the Velvet Underground, along with a handful of originals and an oddball cover of \u003cem\u003eMack the Knife\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eFriend and local musician Duncan Atkinson volunteered to record a few demos for the duo, as well as act as sound engineer, but was soon programming his Pro One synthesizer and drum machine for their live performances. By now this included weekend stints at Stockton’s Blackwater Cafe, where the duo-turned-trio was now officially booked as the Torn Boys, and an avid following began to gather.\u003cbr\u003e\u003cbr\u003eHoning his songwriting skills, Clark forged a primitive, three-stringed descending riff with acidy, stream of consciousness lyrics to create \u003cem\u003eSee Through My Eyes\u003c\/em\u003e. A dog-eared thrift store copy of Baudelaire’s \u003cem\u003eFlowers of Evil\u003c\/em\u003e, overlayed with some Everly Brothers-style harmonies by Clark and Foley were given a motorik beat by Atkinson to bring forth\u003cem\u003e Fountain of Blood\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eWith each live performances the Torn Boys drifted further (and louder) from their acoustic cafe origins. A stint by CRLLL guitarist Paul “Klaus” Ghidossi (notorious around town for performing in a shabby clown suit) lasted only a shambolic gig or two, but in the Spring of ’83 nineteen year old Grant-Lee Phillips (lately of local group Bloody Holly) was recruited on lead guitar, where his “Chet Atkins-plays-Scary Monsters”-influenced sound added an indelible and unique ingredient to the band’s alchemy.\u003cbr\u003e\u003cbr\u003ePhillips describes his encounter with Clark and Foley as pivotal: “…what Jeff and Kelly were doing, you just didn’t see that kind of thing happening in Stockton… so we connected right away over a mutual obsession with the alluring fringes of music, art and film”.\u003cbr\u003e\u003cbr\u003eAn in-studio college radio performance at UC Davis that May captured this final version of the Torn Boys at their most hypnotic and dynamic (as two of this release’s tracks, \u003cem\u003eMystery\u003c\/em\u003e and \u003cem\u003eMack the Knife\u003c\/em\u003e perfectly prove).\u003cbr\u003e\u003cbr\u003eIn the Fall of ’83 Phillips relocated to Los Angeles, joined soon after by Clark, where the two went on to form Shiva Burlesque. Atkinson carried on locally as a guitarist and sound engineer, and Foley, a visual artist as well as a nexus of an unusually fertile music scene in Stockton, continued to perform with a number of other groups, including Broken Toys, Toadstool Theatre and Gary Young’s Hospital.\u003c\/p\u003e\n\u003cp\u003eThis numbered special edition CD is packaged in IPR's unique oversized die cut CD jacket printed in full color by offset lithography with an additional letterpress run in metallic ink and includes a full-color 24-page booklet with song lyrics and photos, plus a bonus DVD containing four song videos including one live video of the Torn Boys performing the song \u003cem\u003eLady Luck\u003c\/em\u003e.\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719853973741,"sku":null,"price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/b3a23a09-e1014b_f2a8b28ee9364fc3a227264a750c04f5_mv2.jpg?v=1774300800"},{"product_id":"david-j-tracks-from-the-attic-special-edition-3cd-set","title":"DAVID J - Tracks From the Attic -  Special Edition 3CD set","description":"\u003cdiv\u003eFIRST TIME ON CD! - Triple Album triple CD version presenting featuring 34 songs in one package. Packaged in a numbered hand-letterpress printed oversized CD pocket folio with letterpress-printed glassine inner sleeves for the CDs, two folding inserts and an outer OBI wrap.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAttics have always exerted an irresistible allure on David J’s imagination. They can unveil luminous jewels that time and dust have rendered all but lost. With \u003cem\u003eTracks From the Attic\u003c\/em\u003e, the Bauhaus and Love and Rockets co-founder invites us to join him and climb up the ladder. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eA most fascinating journey ensues: we’re looking through boxes of tapes, getting reacquainted with an artist we’ve known for a long time—yet, the intimate songs he recorded in solitude over three decades reveal new sides to him. Even while busy with his two legendary groups, David J was bursting with songs; this is a thrilling selection of recordings he made between 1984 and 2004, some on the road and most at home, with only the help of his Muse, a recorder and a lit candle. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLike all good attic finds, these songs were committed to tape and almost forgotten—it wasn’t until a fan-cum-friend suggested he’d offer his digitizing skills that David thought about revisiting them again. All, except for deep cut ‘This Town’, had never previously been heard. The fact that most of these tunes did not end up becoming beloved classics (something that, once you hit play, your ears will hardly come to terms with) is but a sign of David J’s ever prolific creative state. Mostly composed on acoustic guitar, they will offer unexpected revelations to long-time fans, as they bring to light facets of his musical self that could not be fully expressed in a band setting. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIt is indeed fascinating to follow the evolution of David J’s art with songs through the decades, from the observational lyrical montages of the early days to a later, confident embrace of the deeply personal. At the same time, \u003cem\u003eTracks From the Attic\u003c\/em\u003e can also be seen as a striking introduction for newcomers—it does feel like meeting one of the great British singer-songwriters for the first time. ‘Oh No! Not Another Songwriter!’, one of the triple album set’s highlights cheekily cries out. Well, this set is evidence that, this is not just any songwriter… \u003c\/div\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854170349,"sku":null,"price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/93699b06-e1014b_d1a7ff76a9494756891b7df690a59ae9_mv2.jpg?v=1774300800"},{"product_id":"david-j-tracks-from-the-attic-supreme-deluxe-vinyl-art-edition-box-set","title":"DAVID J - Tracks From the Attic -  Supreme Deluxe Vinyl Art edition Box Set","description":"\u003cdiv\u003e\n\u003cstrong\u003eOUR SUPREME DELUXE ART EDITION BOX SET OF \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eTRACKS FROM THE ATTIC\u003c\/em\u003e!\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eLIMITED TO 70 NUMBERED COPIES IN A DELUXE HARD SHELL BOX WITH LETTERPRESS-PRINTED OUTER WRAP COMPLETE WITH THE FOLLOWING ITEMS INSIDE:\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e~ Triple LP pressed on natural translucent vinyl with letterpress-printed inner sleeves in a unique color scheme.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e~ A set of three 6-panel folding lyric sheet inserts featuring song lyrics for all three volumes of \u003cem\u003eTracks From The Attic\u003c\/em\u003e incorporating a selection of David's original art pieces as background imagery.\u003c\/p\u003e\n\u003cp\u003e~ Perforated and numbered insert.\u003c\/p\u003e\n\u003cp\u003e~ A postcard with digital download code for the full album.\u003c\/p\u003e\n\u003cp\u003e~ A bonus a set of 3 CDs of the full triple album mounted on a letterpress-printed LP-sized card.\u003c\/p\u003e\n\u003cp\u003e~ A signed one-of-a-kind Artwork on paper made by David J created with Spray Paint and Acrylic on Parchment. Each unique piece utilises a cassette \u0026amp; spooled tape as a stencil, and each piece is signed by David J. Comes in an archival clear bag with letterpress-printed archival backing board.\u003c\/p\u003e\n\u003cp\u003e~ An original cassette tape used by David J to record song demos from his personal shoebox stash that was used to create this album. This original demo cassette tape spent many years residing in a shoebox in his attic, and now it can be yours. The cassette tape comes wrapped in a letterpress-printed O-card and embedded in a protective piece of foam within the box.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e...................................................................\u003c\/p\u003e\n\u003cdiv\u003eAttics have always exerted an irresistible allure on David J’s imagination. They can unveil luminous jewels that time and dust have rendered all but lost. With \u003cem\u003eTracks From the Attic\u003c\/em\u003e, the Bauhaus and Love and Rockets co-founder invites us to join him and climb up the ladder. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eA most fascinating journey ensues: we’re looking through boxes of tapes, getting reacquainted with an artist we’ve known for a long time—yet, the intimate songs he recorded in solitude over three decades reveal new sides to him. Even while busy with his two legendary groups, David J was bursting with songs; this is a thrilling selection of recordings he made between 1984 and 2004, some on the road and most at home, with only the help of his Muse, a recorder and a lit candle. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLike all good attic finds, these songs were committed to tape and almost forgotten—it wasn’t until a fan-cum-friend suggested he’d offer his digitizing skills that David thought about revisiting them again. All, except for deep cut ‘This Town’, had never previously been heard. The fact that most of these tunes did not end up becoming beloved classics (something that, once you hit play, your ears will hardly come to terms with) is but a sign of David J’s ever prolific creative state. Mostly composed on acoustic guitar, they will offer unexpected revelations to long-time fans, as they bring to light facets of his musical self that could not be fully expressed in a band setting. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIt is indeed fascinating to follow the evolution of David J’s art with songs through the decades, from the observational lyrical montages of the early days to a later, confident embrace of the deeply personal. At the same time, \u003cem\u003eTracks From the Attic\u003c\/em\u003e can also be seen as a striking introduction for newcomers—it does feel like meeting one of the great British singer-songwriters for the first time. ‘Oh No! Not Another Songwriter!’, one of the triple album set’s highlights cheekily cries out. Well, this set is evidence that, this is not just any songwriter… \u003c\/div\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854366957,"sku":null,"price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/5ee6f271-e1014b_34b05b76f4ab41da8fd145b21370fb98_mv2.jpg?v=1774300800"},{"product_id":"woo-xylophonics-robot-x-double-cd","title":"WOO - Xylophonics\/Robot X double CD","description":"\u003cp\u003eFIRST TIME ON CD!  Double album package of both \u003cem\u003eRobot X\u003c\/em\u003e and \u003cem\u003eXylophonics\u003c\/em\u003e IPR reissues in one double CD set. Packaged in a numbered, hand-letterpress printed die cut CD pocket folder complete with letterpress-printed stamp sheet in a folding booklet insert. \u003c\/p\u003e\n\u003cp\u003eIt was the mid-1980s when Independent Project Records first made contact with brothers Mark and Clive Ives, the remarkably prolific purveyors of exquisite shapeshifting electronic music under the moniker of Woo, making cult favorites such as \u003cem\u003eWhichever Way You Are Going\u003c\/em\u003e, \u003cem\u003eYou Are Going Wrong \u003c\/em\u003eand \u003cem\u003eIt’s Cosy Inside\u003c\/em\u003e available for the first time in the US at the end of the decade. Almost forty years later, the brothers have been remarkably prolific and Independent Project Records is in the fourth year of its relaunch. Time to join forces again.\u003cbr\u003e\u003cbr\u003eMore than a simple reissue, the new team-up of Woo and IPR debuts with a special selection of two works, \u003cem\u003eRobot X\u003c\/em\u003e and \u003cem\u003eXylophonics\u003c\/em\u003e: the albums were first self-released digitally on their Bandcamp page in 2016 and 2017 respectively, and have now been reshaped, expanded, and newly conceived as companion pieces. Listening to \u003cem\u003eRobot X\u003c\/em\u003e and \u003cem\u003eXylophonics\u003c\/em\u003e side by side makes for a fascinating, and ever surprising, journey into experimental retro-futuristic electronica.\u003cbr\u003e\u003cbr\u003eThere are more than 1000 tracks in Mark and Clive Ives’ archives (which collect material from the 1970s through 2005); over the last decade the brothers have been busy creating albums from these old recordings, sometimes overdubbing the existing tracks, sometimes adding newer contemporary music. To briefly describe their process: the two create short lists of the archives with sounds they feel complement each other (for instance, they can be melodic, or optimistic, or surreal…). Then begins the process of creating a track listing. Once they get something down to an album duration, they start listening… and there comes a concept, a title and the artwork for a new release.\u003cbr\u003e\u003cbr\u003eThat’s how \u003cem\u003eRobot X\u003c\/em\u003e was conceived, utilizing snippets of recordings made on a 4-track tape machine in the late 1980s. “One of our most abstract and surreal albums”, Clive Ives calls it. When the record was compiled in 2016, the brothers felt that the reality of humanoid robots being made and being used was immanent. This concept became the main inspiration for the album, fueled by the influence of Terry Gi\u003cem\u003elliam\u003c\/em\u003e’s 1985 masterpiece \u003cem\u003eBrazil\u003c\/em\u003e, with its blend of sci-fi and dark comedy. The story, set in a dystopian world in which there is an over-reliance on poorly maintained (and rather whimsical) machines, proved influential for \u003cem\u003eRobot X\u003c\/em\u003e’s artwork, too: Clive Ives\u003cbr\u003ecollaged together various old industrial machinery etchings from the British Museum archives to create robots, coming up with something that is obviously not as practical and functional as modern (real world) robots are.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eXylophonics\u003c\/em\u003e was birthed through a similar process, reworking tracks found in the ‘90s section of the brothers’ spacious archive. Back then, they had just begun recording onto computers, and the album proved their first opportunity to properly link drum machines with keyboards, and create loops and multitrack more layers without the need of sound on sound on a tape deck. These recordings also find the brothers working on melodic pattern loops made with the tuned percussion instruments they’ve always had a special interest in (such as marimba, kalimba and xylophone), weaving those with drums, and creating a feel that is at once futuristic and optimistic in the process.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRobot X\u003c\/em\u003e and \u003cem\u003eXylophonics\u003c\/em\u003e together tell a story of retro-futuristic visions from different angles: both proudly experimental, they combine a deluge of musical influences to offer something that is, quite remarkably, deeply layered and minimalist at the same time. The unpredictable instrumentals they unleash invite listeners to attach their own fantasies to what they hear, whether those fantasies belong to the past, the present or, more likely, a robotic future.\u003cbr\u003e\u003cbr\u003eReleased for the first time on vinyl and CD as double-disc sets encased in IPR label founder Bruce Licher’s singular letterpress packaging, complete with a handcrafted stamp booklet insert, these exquisite artifacts are a must for any serious collector of compelling contemporary musical endeavor.  \u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854235885,"sku":null,"price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/455bac64-e1014b_81bed8d84ebf4b5dbb20a6ebb9faecd8_mv2.jpg?v=1774300800"},{"product_id":"torn-boys-1983-colored-vinyl-lp-bonus-dvd","title":"TORN BOYS - 1983 colored vinyl LP + bonus DVD","description":"\u003cp\u003eCollecting studio and live recordings, hit singles that never were, and enticing stray oddities all conceived in the span of one fecund year, \u003cem\u003e1983 \u003c\/em\u003echronicles the life and sonic adventure of the Torn Boys, a Stockton, California band comprising future members of Shiva Burlesque, Gary Young’s Hospital and Grant Lee Buffalo. It is, in fact, the first ever release from a group made for cultdom.\u003c\/p\u003e\n\u003cp\u003eFormed in late ‘82 by Jeffrey Clark and Kelly Foley, the Torn Boys soon welcomed Duncan Atkinson and then nineteen-year-old Grant-Lee Phillips into their ranks. At once urgent and literate, their recordings fend off basic categorization, conjuring the darker corners of neo-psychedelic California, infusing New Wave-era sensibilities with the moodier angle of home-grown, art-punk-surrealism.\u003c\/p\u003e\n\u003cp\u003eFormed in 1982 by Jeffrey Clark (vocals, electric guitar) and Kelly Foley (vocals, acoustic guitar) and disbanded by late 1983, the Torn Boys lived out their one and a half summers fusing dreamscape lyricism with ultra-’80’s synth rhythms and “Fripp meets Carl Perkins” electric guitar textures, leaving behind a scant recorded legacy before dissolving like the afternoon fog of their Stockton, CA home.Now emerging from that mythical mist for the first time is \u003cem\u003e1983\u003c\/em\u003e, a comprehensive selection of studio and live recordings, hit singles that never were and enticing stray oddities.\u003c\/p\u003e\n\u003cp\u003eClark and Foley had been doing various projects together since they were teenagers, recording Dada-esque radio plays on cassette tape, making stoney Super-8 films and generally trying to stay out of trouble. In ’82, while Foley was also playing in a local avant-garage group called CRLLL, he and Clark began gigging at parties, small clubs and cafes, performing acoustic versions of songs by Television and the Velvet Underground, along with a handful of originals and an oddball cover of \u003cem\u003eMack the Knife\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFriend and local musician Duncan Atkinson volunteered to record a few demos for the duo, as well as act as sound engineer, but was soon programming his Pro One synthesizer and drum machine for their live performances. By now this included weekend stints at Stockton’s Blackwater Cafe, where the duo-turned-trio was now officially booked as the Torn Boys, and an avid following began to gather.Honing his songwriting skills, Clark forged a primitive, three-stringed descending riff with acidy, stream of consciousness lyrics to create See Through My Eyes. A dog-eared thrift store copy of Baudelaire’s \u003cem\u003eFlowers of Evil\u003c\/em\u003e, overlayed with some Everly Brothers-style harmonies by Clark and Foley were given a motorik beat by Atkinson to bring forth \u003cem\u003eFountain of Blood\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eWith each live performances the Torn Boys drifted further (and louder) from their acoustic cafe origins. A stint by CRLLL guitarist Paul “Klaus” Ghidossi (notorious around town for performing in a shabby clown suit) lasted only a shambolic gig or two, but in the Spring of ’83 nineteen year old Grant-Lee Phillips (lately of local group Bloody Holly) was recruited on lead guitar, where his “Chet Atkins-plays-Scary Monsters”-influenced sound added an indelible and unique ingredient to the band’s alchemy.Phillips describes his encounter with Clark and Foley as pivotal: “…what Jeff and Kelly were doing, you just didn’t see that kind of thing happening in Stockton… so we connected right away over a mutual obsession with the alluring fringes of music, art and film”.\u003c\/p\u003e\n\u003cp\u003eAn in-studio college radio performance at UC Davis that May captured this final version of the Torn Boys at their most hypnotic and dynamic (as two of this release’s tracks, \u003cem\u003eMystery\u003c\/em\u003e and \u003cem\u003eMack the Knife\u003c\/em\u003e perfectly prove).\u003c\/p\u003e\n\u003cp\u003eIn the Fall of ’83 Phillips relocated to Los Angeles, joined soon after by Clark, where the two went on to form Shiva Burlesque. Atkinson carried on locally as a guitarist and sound engineer, and Foley, a visual artist as well as a nexus of an unusually fertile music scene in Stockton, continued to perform with a number of other groups, including Broken Toys, Toadstool Theatre and Gary Young’s Hospital.\u003c\/p\u003e\n\u003cp\u003eThese colored vinyl numbered edition LPs are packaged in IPR's unique die cut album jacket printed in full color by offset lithography with an additional letterpress run in metallic ink and includes a full-color folding insert with song lyrics and photos, plus a bonus DVD containing four song videos including one live video of the Torn Boys performing the song\u003cem\u003e Lady Luck\u003c\/em\u003e.  Choice of translucent green vinyl or white vinyl.\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"White","offer_id":49719854104813,"sku":null,"price":36.0,"currency_code":"USD","in_stock":true},{"title":"Translucent Green","offer_id":49719854137581,"sku":null,"price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/678d1cfa-e1014b_c903469db9634f7a9944aa065a6516b5_mv2.jpg?v=1774300800"},{"product_id":"shiva-burlesque-mercury-blues-skulduggery-blue-vinyl-double-lp","title":"SHIVA BURLESQUE - Mercury Blues + Skulduggery blue vinyl double LP","description":"\u003cp\u003eAt long last, the double LP vinyl edition of the definitive expanded re-issue of Shiva Burlesque’s classic second album is now available. This translucent blue vinyl edition includes both a remastered version of the original \u003cem\u003eMercury Blues\u003c\/em\u003e album along with a second album consisting of previously unreleased demos and outtakes titled \u003cem\u003eSkulduggery\u003c\/em\u003e. This numbered blue vinyl edition (limited to the first 450 copies) also features entirely new artwork, printed in 5 colors on IPR’s iconic die-cut packaging, a 5-color 12” x 24” folding insert with liner notes by David Fricke - who in a 1988 issue of Melody Maker called the sound of Shiva Burlesque “a marriage of Joy Division’s shadowy abstractions and Love’s \u003cem\u003eForever Changes\u003c\/em\u003e,\" and includes a postcard-sized full-color download card with code for a free download of the album.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCreators of what Uncut Magazine editor Allan Jones lauded as “timeless, brilliant music,” Shiva Burlesque was founded by transplanted northern Californians Jeffrey Clark and Grant-Lee Phillips, emerging from the alternative music scene of subterranean Hollywood\/Downtown Los Angeles in the mid-1980s. Drawing comparisons to everything from John Cale to Echo \u0026amp; the Bunnymen to early Leonard Cohen, and described by All Music Guide as “a powerful and graceful band too post-punk to be folk rock, and too folk to be post-punk,” the group forged its eclectic (and at times hallucinatory) sound in Raji’s, the Anti Club, The Scream and similar fly-by-night L.A. venues of the time.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShiva Burlesque released a pair of vivid, multi-faceted albums: Shiva Burlesque (1987) with drummer Joey Peters and bassist James Brenner; followed by Mercury Blues (1990), again with Peters on drums, Paul Kimble replacing Brenner, and featuring cellist Greg Adamson. Between the two albums the songwriting output by Clark and Phillips elevated into high gear, and the band recorded a number of new songs in demo versions, mostly on a home studio eight track cassette machine with Paul Kimble engineering.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWork began on the Mercury Blues album proper in early summer of 1990, tracking (largely after-hours during “down time”) at Village Recorders, one of the best equipped, finest sounding, studios in Los Angeles at the time. Along with the intense and potent results of those sessions, IPR’s beautiful, remastered, 2021 reissue includes a bonus album of ten of the demo songs, none of which have ever been previously released.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough both Shiva Burlesque albums garnered high praise in the US and in Europe (\"a trip into startled wonder,\" Melody Maker, 1988) and resonated deeply with tuned-in listeners, they found scant commercial success in the proto-Grunge \/ pre-Shoegaze era. The group disbanded in late 1990, thereby helping to midwife the also excellent Grant Lee Buffalo.\u003c\/span\u003e\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854203117,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/88ce898a-e1014b_7d151fba1f954a18ad0d208783c74f5c_mv2.png?v=1774300800"},{"product_id":"torn-boys-1983-black-vinyl-lp-bonus-dvd","title":"TORN BOYS - 1983 black vinyl LP + bonus DVD","description":"\u003cp\u003eCollecting studio and live recordings, hit singles that never were, and enticing stray oddities all conceived in the span of one fecund year, \u003cem\u003e1983\u003c\/em\u003e chronicles the life and sonic adventure of the Torn Boys, a Stockton, California band comprising future members of Shiva Burlesque, Gary Young’s Hospital and Grant Lee Buffalo. It is, in fact, the first ever release from a group made for cultdom. Formed in late ‘82 by Jeffrey Clark and Kelly Foley, the Torn Boys soon welcomed Duncan Atkinson and then nineteen-year-old Grant-Lee Phillips into their ranks. At once urgent and literate, their recordings fend off basic categorization, conjuring the darker corners of neo-psychedelic California, infusing New Wave-era sensibilities with the moodier angle of home-grown, art-punk-surrealism.\u003cbr\u003e\u003cbr\u003eFormed in 1982 by Jeffrey Clark (vocals, electric guitar) and Kelly Foley (vocals, acoustic guitar) and disbanded by late 1983, the Torn Boys lived out their one and a half summers fusing dreamscape lyricism with ultra-’80’s synth rhythms and “Fripp meets Carl Perkins” electric guitar textures, leaving behind a scant recorded legacy before dissolving like the afternoon fog of their Stockton, CA home.\u003cbr\u003e\u003cbr\u003eNow emerging from that mythical mist for the first time is 1983, a comprehensive selection of studio and live recordings, hit singles that never were and enticing stray oddities.\u003cbr\u003e\u003cbr\u003eForty years after the fact, the Torn Boys recordings still fend off basic categorization, conjuring the darker corners of neo-psychedelic California, infusing New Wave-era sensibilities with the moodier angle of home-grown, art-punk-surrealism.\u003cbr\u003e\u003cbr\u003eClark and Foley had been doing various projects together since they were teenagers, recording Dada-esque radio plays on cassette tape, making stoney Super-8 films and generally trying to stay out of trouble. In ’82, while Foley was also playing in a local avant-garage group called CRLLL, he and Clark began gigging at parties, small clubs and cafes, performing acoustic versions of songs by Television and the Velvet Underground, along with a handful of originals and an oddball cover of \u003cem\u003eMack the Knife\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eFriend and local musician Duncan Atkinson volunteered to record a few demos for the duo, as well as act as sound engineer, but was soon programming his Pro One synthesizer and drum machine for their live performances. By now this included weekend stints at Stockton’s Blackwater Cafe, where the duo-turned-trio was now officially booked as the Torn Boys, and an avid following began to gather.\u003cbr\u003e\u003cbr\u003eHoning his songwriting skills, Clark forged a primitive, three-stringed descending riff with acidy, stream of consciousness lyrics to create \u003cem\u003eSee Through My Eyes\u003c\/em\u003e. A dog-eared thrift store copy of Baudelaire’s \u003cem\u003eFlowers of Evil,\u003c\/em\u003e overlayed with some Everly Brothers-style harmonies by Clark and Foley were given a motorik beat by Atkinson to bring forth \u003cem\u003eFountain of Blood\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eWith each live performances the Torn Boys drifted further (and louder) from their acoustic cafe origins. A stint by CRLLL guitarist Paul “Klaus” Ghidossi (notorious around town for performing in a shabby clown suit) lasted only a shambolic gig or two, but in the Spring of ’83 nineteen year old Grant-Lee Phillips (lately of local group Bloody Holly) was recruited on lead guitar, where his “Chet Atkins plays-Scary Monsters”-influenced sound added an indelible and unique ingredient to the band’s alchemy.\u003c\/p\u003e\n\u003cp\u003ePhillips describes his encounter with Clark and Foley as pivotal: “…what Jeff and Kelly were doing, you just didn’t see that kind of thing happening in Stockton… so we connected right away over a mutual obsession with the alluring fringes of music, art and film”.\u003cbr\u003e\u003cbr\u003eAn in-studio college radio performance at UC Davis that May captured this final version of the Torn Boys at their most hypnotic and dynamic (as two of this release’s tracks, \u003cem\u003eMystery\u003c\/em\u003e and Mack the Knife, perfectly prove).\u003cbr\u003e\u003cbr\u003eIn the Fall of ’83 Phillips relocated to Los Angeles, joined soon after by Clark, where the two went on to form Shiva Burlesque. Atkinson carried on locally as a guitarist and sound engineer, and Foley, a visual artist as well as a nexus of an unusually fertile music scene in Stockton, continued to perform with a number of other groups, including Broken Toys, Toadstool Theatre and Gary Young’s Hospital.\u003c\/p\u003e\n\u003cp\u003eThis black vinyl numbered edition LP is packaged in IPR's unique die cut album jacket printed in full color by offset lithography with an additional letterpress run in metallic ink and includes a full-color folding insert with song lyrics and photos, plus a bonus DVD containing four song videos including one live video of the Torn Boys performing the song \u003cem\u003eLady Luck\u003c\/em\u003e.\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854301421,"sku":null,"price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/5bb72929-e1014b_22d020590b684f708eb9371fad16cd36_mv2.jpg?v=1774300800"},{"product_id":"the-ophelias-bare-bodkin-nocturnal-blue-vinyl","title":"THE OPHELIAS - Bare Bodkin -  Nocturnal Blue Vinyl","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eThis excellent and in-depth overview from San Francisco’s most innovative 80’s era rock band The Ophelias is released on vinyl as a double LP mastered at 45 RPM for superior sound quality. Available in Midnight Black vinyl as well as translucent Nocturnal Blue vinyl, \"Bare Bodkin\" includes previously unreleased recordings in an exquisite old-school gatefold LP jacket. The package also includes printed lyric \u0026amp; credits inner sleeves with band photos, a folding insert featuring a comprehensive historical essay about the group by Rolling Stone's David Fricke, plus a Digital Download Card. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Ophelias burst out of the San Francisco indie rock scene in 1985 with their remarkable cover of the Southern folksong “Mister Rabbit” which immediately brought them national attention in the underground, a photograph in Spin, and a reputation for engaging, truly psychedelic live performances. Their first, self-titled LP appeared in early 1987 to widespread acclaim. “Almost every reviewer has considered them the most innovative band out of San Francisco in many years,” wrote Bob O’Brien in the LA Times. Soon thereafter signed to Rough Trade US, two more LPs and an EP would follow, all garnering much positive press. Second LP “Oriental Head” charted Top 35 at 160 radio stations, Top 10 at 48, and #1 at 9, but Rough Trade stateside was in shaky financial health and the label folded in 1990, with The Ophelias as part of the collateral damage. Lead guitarist David Immerglück was recruited by Camper Van Beethoven and Counting Crows, and bandleader Leslie Medford disappeared.\u003cbr\u003e\u003cbr\u003eThe star-crossed tale of The Ophelias (for instance, national tours in support of Pere Ubu and Crime \u0026amp; the City Solution both fell through at the eleventh hour) may be part of their Scarlet Pimpernell appeal, but to the band it was bad theater. Still, an informed few (like Music: What Happened? author Scott Miller) consider The Ophelias one of the very best bands of the 1980’s. As an outfit inspired by psilocybin should be, they were neither average nor predictable; indeed, contradiction was the group’s calling card. “The Ophelias are about the both of things: light and dark, masculine and feminine, high and low, comedy and tragedy, rationality and the unhinged,” said The Hard Report. There is no denying their post-punkish slant, but with perhaps more in common with the experimental and adventurous bands of the Sixties and Seventies, with an English bent and a Shakespearean name, things were certain to go awry in late-Eighties USA for an underfunded combo whose best comparison may be Spiders-era Bowie, Nadir-era Hammill, or Piper-era Floyd. The mass of American teenagers remained bewildered.\u003cbr\u003e\u003cbr\u003e“It’s hard for me to imagine a more audacious guy than Ophelias singer\/conceptualist Leslie Medford,” wrote Ann Powers in the SF Chronicle. “Collectors and critics will probably rediscover The Ophelias in fifteen years and write blathering essays about Medford’s psychosis-tinged genius.” Well, that time is now! Because in 2022 Bruce Licher’s storied Independent Project Records – known for its elegant, deluxe album packages – will release on compact disc and vinyl Bare Bodkin : a 15-song career-spanning compendium (including 5 remarkable, never-released studio tracks) of which Medford says, “I approached Bare Bodkin as if it would be the last will and testament of The Ophelias, as if it alone might be our legacy – a kind of personal statement about my feelings as to the prime aesthetic thrust of The Ophelias.” The band released many other memorable studio tracks in addition to those included on this compendium, and the live albums now streamable online offer the brain a veritable universe of surprising punk and psychedelia far more edgy and garage-y than Bare Bodkin – and it’s great bold stuff! But one must agree with Medford that at The Ophelias core is high-art high-drama lysergic dream theatre, and Bare Bodkin is a pretty perfect distillation of the multifaceted and strange magic of this remarkable band.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854334189,"sku":null,"price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/499a8ae6-e1014b_37262cc3eb784b4fbef1f552499ee84b_mv2.jpg?v=1774300800"},{"product_id":"shiva-burlesque-mercury-blues-skulduggery-black-vinyl-double-lp","title":"SHIVA BURLESQUE - Mercury Blues + Skulduggery black vinyl double LP","description":"\u003cp\u003eAt long last, the double LP vinyl edition of the definitive expanded re-issue of Shiva Burlesque’s classic second album is now available. This black vinyl edition includes both a remastered version of the original Mercury Blues album along with a second album consisting of previously unreleased demos and outtakes titled Skulduggery. This numbered vinyl edition also features entirely new artwork, printed in 5 colors on IPR’s iconic die-cut packaging, a 5-color 12” x 24” folding insert with liner notes by David Fricke - who in a 1988 issue of Melody Maker called the sound of Shiva Burlesque “a marriage of Joy Division’s shadowy abstractions and Love’s Forever Changes,\" and includes a postcard-sized full-color download card with code for a free download of the album.\u003cbr\u003e\u003cbr\u003eCreators of what Uncut Magazine editor Allan Jones lauded as “timeless, brilliant music,” Shiva Burlesque was founded by transplanted northern Californians Jeffrey Clark and Grant-Lee Phillips, emerging from the alternative music scene of subterranean Hollywood\/Downtown Los Angeles in the mid-1980s. Drawing comparisons to everything from John Cale to Echo \u0026amp; the Bunnymen to early Leonard Cohen, and described by All Music Guide as “a powerful and graceful band too post-punk to be folk rock, and too folk to be post-punk,” the group forged its eclectic (and at times hallucinatory) sound in Raji’s, the Anti Club, The Scream and similar fly-by-night L.A. venues of the time.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShiva Burlesque released a pair of vivid, multi-faceted albums: Shiva Burlesque (1987) with drummer Joey Peters and bassist James Brenner; followed by Mercury Blues (1990), again with Peters on drums, Paul Kimble replacing Brenner, and featuring cellist Greg Adamson. Between the two albums the songwriting output by Clark and Phillips elevated into high gear, and the band recorded a number of new songs in demo versions, mostly on a home studio eight track cassette machine with Paul Kimble engineering.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWork began on the Mercury Blues album proper in early summer of 1990, tracking (largely after-hours during “down time”) at Village Recorders, one of the best equipped, finest sounding, studios in Los Angeles at the time. Along with the intense and potent results of those sessions, IPR’s beautiful, remastered, 2021 reissue includes a bonus album of ten of the demo songs, none of which have ever been previously released.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough both Shiva Burlesque albums garnered high praise in the US and in Europe (\"a trip into startled wonder,\" Melody Maker, 1988) and resonated deeply with tuned-in listeners, they found scant commercial success in the proto-Grunge \/ pre-Shoegaze era. The group disbanded in late 1990, thereby helping to midwife the also excellent Grant Lee Buffalo.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854399725,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/77945089-e1014b_7d151fba1f954a18ad0d208783c74f5c_mv2.png?v=1774300800"},{"product_id":"savage-republic-africa-corps-live-at-the-whisky-a-go-go-black-vinyl-lp","title":"SAVAGE REPUBLIC - Africa Corps Live at The Whisky A Go Go -  Black Vinyl LP","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eNow available is this beautiful vinyl edition of our Savage Republic release Africa Corps Live at The Whisky A Go Go 30th December 1981. The black vinyl LP features a hand-letterpress printed die cut jacket in a numbered edition of 850 copies, and includes a set of four full-sized flyer reproductions inserted in a letterpress-printed glassine bag along with a 2-sided multicolor 12” square insert, plus an oversized download card for a free digital download of the album. The first 400 copies are pressed on clear vinyl (see our Clear Vinyl listing to purchase one of those), and numbers 0401-0850 are pressed on black vinyl (this listing). \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eIndependent Project Records is proud to present a priceless jewel documenting the group’s early days. Ever wondered about what seeing a blossoming Savage Republic up close must have felt like? \u003cem\u003eAfrica Corps Live at The Whisky A Go Go December 30th 1981\u003c\/em\u003e is here to take us right there, fiercely catapulting listeners in front of one of L.A.’s most iconic stages, back when a young band of UCLA students (Bruce Licher, Mark Erskine, Philip Drucker and Jeff Long), by then still called Africa Corps, was starting to make its way in the punk underground.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eTheir extraordinary first time at the Whisky was recorded on cassette on December 30th 1981, a momentous night when soon-to-be Savage Republic had been invited to open for Orange County hardcore-turned-post punk outfit Middle Class along with fellow LA post punk journeymen Afterimage (it was probably the friendship among band members that made it all happen) and Long Beach-based synth punks Outer Circle. We’re lucky enough to witness most of the future \u003cem\u003eTragic Figures\u003c\/em\u003e tracks in a process of highly creative gestation, in the middle of being developed.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eThe original tape has now been remastered by Warren DeFever (His Name Is Alive) and unearths a most cathartic performance. It’s hard to fathom, but the four musicians had only been playing together for about eight months at that point, mostly rehearsing in the concrete parking garages at UCLA. Those formative experiences are brilliantly reflected in the sound of \u003cem\u003eAfrica Corps Live at The Whisky A Go Go December 30th 1981\u003c\/em\u003e, with its hypnotic blend of industrial and piercing post punk. But the live album is also a powerful reminder of Savage Republic’s flair for containing multitudes: those hardcore inclinations, so of their time they now sound timeless, are unexpectedly intertwined with a kaleidoscopic love of sound that still makes the band stand out from the rest of their contemporaries. Here, the hardcore and the arty are perfectly intertwined; the band emerges as one of the most politically engaged (and lucid) entities of the L.A. underground, while simultaneously reclaiming a love of styles and influences that might have seemed long forgotten by then (Eastern music being the most prominent one).\u003cbr\u003e\u003cbr\u003eThe four-piece appears to be at once trailblazing, sounding like no other band before or since, and eager to dig up its rich, often surprising lineage (they were embodying '60s California’s all-embracing curiosity better than most neo-psychedelic bands). In different hands this amalgamation of punk, industrial, art rock, psychedelia, Eastern sounds, avant-garde, no wave, surf and minimalism would have eventually proved contrived, pretentious, or at least confusing. But this is Savage Republic we’re talking about, and as the loud Whisky crowd—regulars mixing with friends, art school students mixing with tough punks—seems to suggest, it worked, as if by magic. And as if by magic, it still does.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cem\u003eAfrica Corps Live at The Whisky A Go Go\u003c\/em\u003e \u003cem\u003eDecember 30th 1981 \u003c\/em\u003eis also available on clear vinyl LP and as a numbered and limited Special Edition CD featuring the iconic hand-letterpress printed oversized die cut pocket folder packaging designed and created by Bruce Licher at his Independent Project Press, and includes a 4-panel insert with story of the band and gig by Camilla Aisa, plus mini-sized reproductions of the 4 different original flyers produced by each of the bands performing on the bill that night. IPRhas also produced a “commercial” edition of the CD packaged in a normal-sized 6-panel cardboard wallet folder with additional insert. All of these versions are also available here in the IPR Web Shoppe.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854432493,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/bdb04167-e1014b_654e67427f014630a3a2edc04bc4b4ef_mv2.png?v=1774300803"},{"product_id":"a-produce-land-of-a-thousand-trances-expanded-double-cd","title":"A PRODUCE - Land of a Thousand Trances expanded double CD","description":"\u003cp\u003eOriginally released in 1994, Land of a Thousand Trances acted as an even more ambitious counterpart to the previous A Produce albums, Reflect Like a Mirror, Respond Like an Echo (1992) and solo debut The Clearing (1988, reissued in March 2023 by Independent Project Records). This new expanded and remastered (by Warren DeFever at Third Man Mastering) edition is now available for purchase.\u003c\/p\u003e\n\u003cp\u003eSimilarly to what Eno had done in the mid-'70s when he defined the context and nature of the newly baptized ambient genre, the late Barry Craig (A Produce) accompanied Land of a Thousand Trances with a press release that outlined the fundamental elements of what he liked to call trance music. “It can be as driving as the sound of world beat rhythms against modern day electronics,” he wrote, “or as subtle as the tinkling of Japanese bells mixed with background environmental sounds. Whatever the vehicle, the fundamental requirement of any style of trance music is that it sets up a rhythm (percussion), a sustained sound (drone), or a repetitive figure that over time, evokes a spellbinding hold on the listener, gradually drawing them deeper into the music, or trance.”\u003c\/p\u003e\n\u003cp\u003eTranscendental at heart, A Produce’s trance language encompassed ambient, industrial, new age and so-called world music, only to go further. It was eager to find a direct line from Gregorian chants to Erik Satie, while tending to the needs of a fractured post-modern world. To anyone who cares about etymologies, it was also properly psychedelic. There is certainly a parallel to be drawn between A Produce’s work and that of some of his guiding lights: Terry Riley, Steve Roach, Robert Rich, Harold Budd, Jon Hassell… But it is also true that the voracious, multitudinous nature of the perfectly titled Land of a Thousand Trances feels unprecedented and idiosyncratic. You could compare it to A Produce’s relationship with his city, Los Angeles, crucial muse since the post-punk days of his former band Afterimage: what he most loved about it was the simultaneous proximity of deserts, oceans, mountains and industrial metropolis.\u003c\/p\u003e\n\u003cp\u003eIn 2007 A Produce worked on a remaster of the album, adding a second disc featuring bonus material from around the same time the album was recorded. This second chapter in the Land of a Thousand Trances journey is ultimately as hypnotic as the first and original one: there are cuts taken from the same recording sessions that didn’t previously make the tracklist, as well as live renditions and alternate versions. It’s fascinating insight into A Produce’s mindset during a prolific, particularly inspired moment in his ever fascinating career.\u003c\/p\u003e\n\u003cp\u003eThe new deluxe remastered edition is housed in a package that proves one of Independent Project Records and Independent Project Press founder Bruce Licher’s most elegant designs (which, you’ll agree, is saying a lot). Evocative and seducing, it features some of Craig’s sublime landscape photographs — a perfect accompaniment for the pictorial dreaminess conjured by the sounds contained within.\u003c\/p\u003e\n\u003cp\u003eListen and what you’ll find is a music of many layers. A four-dimensional affair. You can float above it or fall deep into it. Most importantly, you can let it infiltrate your mind — boundless journeys await. Back in ‘94, A Produce talked of what he was seeking through sound: “personal, spiritual healing which, whether the world knows it or not, is what is needed now more than ever in our modern society.” Almost thirty years later, the need has done nothing but exponentially increase.\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854498029,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/6dd064e2-e1014b_8172575c301a45d7ade23cecb25d9823_mv2.png?v=1774300800"},{"product_id":"savage-republic-africa-corps-live-at-the-whisky-a-go-go-clear-vinyl-lp","title":"SAVAGE REPUBLIC - Africa Corps Live at The Whisky A Go Go - Clear Vinyl LP","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eNow available is this beautiful vinyl edition of our Savage Republic release Africa Corps Live at The Whisky A Go Go 30th December 1981. The clear vinyl LP features a hand-letterpress printed die cut jacket in a numbered edition of 850 copies, and includes a set of four full-sized flyer reproductions inserted in a letterpress-printed glassine bag along with a 2-sided multicolor 12” square insert, plus an oversized download card for a free digital download of the album. The first 400 copies are pressed on clear vinyl (\u003c\/span\u003e\u003cspan\u003ethis listing\u003c\/span\u003e\u003cspan\u003e), and numbers 0401-0850 are pressed on black vinyl (\u003c\/span\u003e\u003cspan\u003esee our Black Vinyl listing to purchase one of those\u003c\/span\u003e\u003cspan\u003e). \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eIndependent Project Records is proud to present a priceless jewel documenting the group’s early days. Ever wondered about what seeing a blossoming Savage Republic up close must have felt like? \u003cem\u003eAfrica Corps Live at The Whisky A Go Go December 30th 1981\u003c\/em\u003e is here to take us right there, fiercely catapulting listeners in front of one of L.A.’s most iconic stages, back when a young band of UCLA students (Bruce Licher, Mark Erskine, Philip Drucker and Jeff Long), by then still called Africa Corps, was starting to make its way in the punk underground.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eTheir extraordinary first time at the Whisky was recorded on cassette on December 30th 1981, a momentous night when soon-to-be Savage Republic had been invited to open for Orange County hardcore-turned-post punk outfit Middle Class along with fellow LA post punk journeymen Afterimage (it was probably the friendship among band members that made it all happen) and Long Beach-based synth punks Outer Circle. We’re lucky enough to witness most of the future \u003cem\u003eTragic Figures\u003c\/em\u003e tracks in a process of highly creative gestation, in the middle of being developed.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eThe original tape has now been remastered by Warren DeFever (His Name Is Alive) and unearths a most cathartic performance. It’s hard to fathom, but the four musicians had only been playing together for about eight months at that point, mostly rehearsing in the concrete parking garages at UCLA. Those formative experiences are brilliantly reflected in the sound of \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003eAfrica Corps Live at The Whisky A Go Go December 30th 1981\u003c\/em\u003e\u003cspan\u003e\u003cspan\u003e, with its hypnotic blend of industrial and piercing post punk. But the live album is also a powerful reminder of Savage Republic’s flair for containing multitudes: those hardcore inclinations, so of their time they now sound timeless, are unexpectedly intertwined with a kaleidoscopic love of sound that still makes the band stand out from the rest of their contemporaries. Here, the hardcore and the arty are perfectly intertwined; the band emerges as one of the most politically engaged (and lucid) entities of the L.A. underground, while simultaneously reclaiming a love of styles and influences that might have seemed long forgotten by then (Eastern music being the most prominent one).\u003cbr\u003e\u003cbr\u003eThe four-piece appears to be at once trailblazing, sounding like no other band before or since, and eager to dig up its rich, often surprising lineage (they were embodying '60s California’s all-embracing curiosity better than most neo-psychedelic bands). In different hands this amalgamation of punk, industrial, art rock, psychedelia, Eastern sounds, avant-garde, no wave, surf and minimalism would have eventually proved contrived, pretentious, or at least confusing. But this is Savage Republic we’re talking about, and as the loud Whisky crowd—regulars mixing with friends, art school students mixing with tough punks—seems to suggest, it worked, as if by magic. And as if by magic, it still does.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cem\u003eAfrica Corps Live at The Whisky A-Go-Go\u003c\/em\u003e \u003cem\u003eDecember 30th 1981 \u003c\/em\u003eis also available on black vinyl and as a numbered and limited Special Edition CD featuring the iconic hand-letterpress printed oversized die cut pocket folder packaging designed and created by Bruce Licher at his Independent Project Press, and includes a 4-panel insert with story of the band and gig by Camilla Aisa, plus mini-sized reproductions of the 4 different original flyers produced by each of the bands performing on the bill that night. IPR has also produced a “commercial” edition of the CD packaged in a normal-sized 6-panel cardboard wallet folder with additional insert. All of these versions are also available here in the IPR Web Shoppe.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854563565,"sku":null,"price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/1c28968d-e1014b_d46a4274aedc4ea68b36fd42c8e9ff71_mv2.png?v=1774300803"},{"product_id":"the-ophelias-bare-bodkin-midnight-black-vinyl","title":"THE OPHELIAS - Bare Bodkin -  Midnight Black Vinyl","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eThis excellent and in-depth overview from San Francisco’s most innovative 80’s era rock band The Ophelias is released on vinyl as a double LP mastered at 45 RPM for superior sound quality. Available in Midnight Black vinyl as well as translucent Nocturnal Blue vinyl, \"Bare Bodkin\" includes previously unreleased recordings in an exquisite old-school gatefold LP jacket. The package also includes printed lyric \u0026amp; credits inner sleeves with band photos, a folding insert featuring a comprehensive historical essay about the group by Rolling Stone's David Fricke, plus a Digital Download Card. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Ophelias burst out of the San Francisco indie rock scene in 1985 with their remarkable cover of the Southern folksong “Mister Rabbit” which immediately brought them national attention in the underground, a photograph in Spin, and a reputation for engaging, truly psychedelic live performances. Their first, self-titled LP appeared in early 1987 to widespread acclaim. “Almost every reviewer has considered them the most innovative band out of San Francisco in many years,” wrote Bob O’Brien in the LA Times. Soon thereafter signed to Rough Trade US, two more LPs and an EP would follow, all garnering much positive press. Second LP “Oriental Head” charted Top 35 at 160 radio stations, Top 10 at 48, and #1 at 9, but Rough Trade stateside was in shaky financial health and the label folded in 1990, with The Ophelias as part of the collateral damage. Lead guitarist David Immerglück was recruited by Camper Van Beethoven and Counting Crows, and bandleader Leslie Medford disappeared.\u003cbr\u003e\u003cbr\u003eThe star-crossed tale of The Ophelias (for instance, national tours in support of Pere Ubu and Crime \u0026amp; the City Solution both fell through at the eleventh hour) may be part of their Scarlet Pimpernell appeal, but to the band it was bad theater. Still, an informed few (like Music: What Happened? author Scott Miller) consider The Ophelias one of the very best bands of the 1980’s. As an outfit inspired by psilocybin should be, they were neither average nor predictable; indeed, contradiction was the group’s calling card. “The Ophelias are about the both of things: light and dark, masculine and feminine, high and low, comedy and tragedy, rationality and the unhinged,” said The Hard Report. There is no denying their post-punkish slant, but with perhaps more in common with the experimental and adventurous bands of the Sixties and Seventies, with an English bent and a Shakespearean name, things were certain to go awry in late-Eighties USA for an underfunded combo whose best comparison may be Spiders-era Bowie, Nadir-era Hammill, or Piper-era Floyd. The mass of American teenagers remained bewildered.\u003cbr\u003e\u003cbr\u003e“It’s hard for me to imagine a more audacious guy than Ophelias singer\/conceptualist Leslie Medford,” wrote Ann Powers in the SF Chronicle. “Collectors and critics will probably rediscover The Ophelias in fifteen years and write blathering essays about Medford’s psychosis-tinged genius.” Well, that time is now! Because in 2022 Bruce Licher’s storied Independent Project Records – known for its elegant, deluxe album packages – will release on compact disc and vinyl Bare Bodkin : a 15-song career-spanning compendium (including 5 remarkable, never-released studio tracks) of which Medford says, “I approached Bare Bodkin as if it would be the last will and testament of The Ophelias, as if it alone might be our legacy – a kind of personal statement about my feelings as to the prime aesthetic thrust of The Ophelias.” The band released many other memorable studio tracks in addition to those included on this compendium, and the live albums now streamable online offer the brain a veritable universe of surprising punk and psychedelia far more edgy and garage-y than Bare Bodkin – and it’s great bold stuff! But one must agree with Medford that at The Ophelias core is high-art high-drama lysergic dream theatre, and Bare Bodkin is a pretty perfect distillation of the multifaceted and strange magic of this remarkable band.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854465261,"sku":null,"price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/4bebfe56-e1014b_37262cc3eb784b4fbef1f552499ee84b_mv2.jpg?v=1774300800"},{"product_id":"a-produce-inscape-landscape-cd","title":"A PRODUCE - Inscape \u0026 Landscape CD","description":"\u003cp\u003eIPR is now able to offer original, sealed copies of A Produce's 1996 full-length CD \u003cem\u003eInscape \u0026amp; Landscape\u003c\/em\u003e. This CD has long been out of print, but thanks to a fortuitous find, a couple boxes of the \"cool\" version of this sought-after CD are now available at a reasonable price while our supplies last.\u003cbr\u003e\u003cbr\u003eOne of the strongest sets of music that Barry Craig issued under the name A Produce, this release features collaborations with guitarist Scott Fraser and percussionist Chas Smith. Packaged in a letterpress-printed die cut Discfolio with original cover artwork by Karen Nielsen Licher, there were two cover variations for this original run of 1000 CDs: the \"hot\" version, with gold and brown printing on a reddish brown poster board stock, and the \"cool\" version with silver and deep grey printing on the grey side of the same poster board stock. At this time we only have copies of the \"cool\" version as pictured above.\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854530797,"sku":null,"price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/e930e8c4-e1014b_84839c927efe49c99eb1c1b9460bcafb_mv2.jpg?v=1774300802"},{"product_id":"exploratorium-expanded-vinyl-lp","title":"EXPLORATORIUM Expanded vinyl LP","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eNow available is this sumptuous clear vinyl edition of our expanded edition of Exploratorium, solo ambient guitar home recordings by Savage Republic, Scenic, and Independent Project Records founder Bruce Licher. This vinyl LP features a hand-letterpress printed die cut jacket in a numbered edition of 600 copies, and includes a set of 4 insert cards sealed in a glassine envelope with a unique Exploratorium sticker, plus an oversized download card for a free digital download of the album. \u003c\/p\u003e\n\u003cp\u003eRecorded in July 1997 on a cassette 4-track, and consisting of layered effected guitars and bass, these recordings sat unreleased for almost a decade. Transferred to digital and mixed in April 2006 by Michael Krassner and Bruce Licher, these tracks were originally released as a mini-CDr format in a signed and numbered edition of 300 copies.\u003c\/p\u003e\n\u003cp\u003eAnd the music? It consists of three instrumental tracks totaling 22:22 minutes, all layers of heavily effected guitars and bass. “Peak” opens the proceedings, a 9 1\/2 minute atmospheric dronefest with shimmering guitars floating in liquid space, exploring territory similar to the closing number on Scenic’s ”The Acid\u003cspan\u003e Gospel Experience” CD, “A Journey Through The Outer Reaches Of Inner Space.” “Going Home” is another shimmering dronefest, with some shoegaze-style guitar sounds and sublime melodic structures. The EP ends with “The Penstemon Field,” a 7+ minute epic sounding like something Ennio Morricone might have written for an Antarctic Western, with liberal fuzz guitar and haunting melodies. Fans of Scenic’s more ambient work will find plenty to enjoy on this EP, though the tracks are a bit rawer in sound than most of Scenic’s studio recordings.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNow being re-issued as an expanded edition, Exploratorium’s original selection of three immersive solo recordings are now augmented by the 26-minute atmospheric electronics of ‘Number 09,’va song composed on an old Roland SH-2000 synthesizer whose title is a clear nod to to The Beatles’ most adventurous composition. The release features the iconic hand-letterpress printed oversized die cut pocket folder packaging designed and created by Licher at his Independent Project Press.\u003cbr\u003e\u003cbr\u003eExploratorium has been remastered by Josh Bonati at Bonati Mastering and reclaims equal fondness for the natural and the industrial. Licher’s mission is an exploration of sound that feels scientific and transcendental at the same time. This thoroughly inquisitive approach is made all the more clear (and intriguing) by the unexpected pairing of the original three tracks with ‘Number 09.’ Whereas ‘Peak,’ ‘Going Home' and ‘The Penstemon Field’ eagerly played with stretching the role of guitars and bass, ‘Number 09' takes its cue from the hypnotic synths of the Human League's The Dignity of Labour EP from 1979 and sets off for an unconstrained sonic trip that goes from the jarring to the meditative. Together, these four instrumentals make for a most entrancing experience. \u003cbr\u003e\u003cbr\u003eThe music of Exploratorium blurs the boundaries between Licher's cinematic work with Scenic and the early recordings of his UCLA days, which led him to start the Independent Project Records label in 1980. It's a mesmerizing blend of ambient and post-rock, noisy shoegaze and pastoral melodic structures, droning avant-garde and soundtracks at their most sparse and yearning.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854661869,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/92471d38-e1014b_11f9b0ac5e49425f8ac359ca2840c941_mv2.jpg?v=1774300802"},{"product_id":"savage-republic-tragic-figures-expanded-re-issue-red-vinyl-edition-lp","title":"SAVAGE REPUBLIC Tragic Figures expanded re-issue - Red Vinyl Edition LP","description":"\u003cp\u003eOn the 40th Anniversary of the original release of one of L.A.’s most unique bands of the early 80’s, Independent Project Records has collaborated with Real Gone Music to re-issue an expanded version of Savage Republic’s Tragic Figures LP, complete with an entire second album of mostly previously unreleased recordings. These bonus tracks were recorded in the concrete parking garages at UCLA in 1981, from where the band emerged in the fertile, arty post-punk scene of Southern California during which they performed their unique audio rituals at various underground clubs such as the Brave Dog, Al’s Bar and the Anticlub. Tragic Figures brings to mind aspects of PiL, Can, Faust, Flipper, Einstürzende Neubauten, Rhys Chatham and Glenn Branca, but really sounds like no one else before\u003cspan\u003e or since.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan\u003eAs Real Gone’s Gordon Anderson writes:\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e“Welcome to the world’s first (and only) post-punk-industrial-trance- psychedelic-surf album! The fact that it took us so many adjectives to describe Tragic Figures lets you know just how unique of an album it is.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eSure, there are echoes of other artists, like krautrock legends Can and Faust, post-punkers Public Image Limited (Savage Republic opened for PiL on their 1982 West Coast dates), avant-garde guitar players like Glenn Branca and Rhys Chatham, scrap metal industrialists Einstürzende Neubauten, and Bay Area sludgecore nihilists Flipper—but really, this unlikely product of (mostly) UCLA undergrads sounds like no other record before or since.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\"And only adding to Tragic Figures’ mystique are its graphics, which displayed band co-founder Bruce Licher’s trademark letterpress printing and featured a UPI photo of rebels being executed in Kurdistan, the ghostly images sharing space with a red lettering that gave the album’s title in script that roughly translated “tragic figures” into Arabic (which, in turn, had the unexpected effect of drawing more Iranian and Middle Eastern people to their shows)! Tragic Figures wasn’t just a bold musical statement; it was an objet d’art in its own right.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\"For its 40th anniversary edition, we at Real Gone Music worked with Bruce Licher to preserve and expand on the magical, talismanic quality of the initial release. The original album has been remastered from the original tapes by Mike Milchner at Sonic Vision, while both the CD and LP editions boast an extra disc of largely unreleased rehearsal recordings taped in the bowels of UCLA parking garages, where the band used to practice to take advantage of the extended reverb afforded by all the concrete surfaces (imagine being an unwitting undergrad happening upon this unearthly din coming out of nowhere)!\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\"Richie Unterberger’s liner notes feature interviews with band members Licher, Philip Drucker, and Jeff Long, and the CD and LP come with the original cover graphics expanded into a six-panel digipak and a gatefold jacket pressed in heavyweight “chipboard” paper stock, respectively. Finally, the LP pressing is in red vinyl limited to 2000 copies. Clear your calendar and set aside a couple of hours to listen to Tragic Figures...you won’t end up where you started.”\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis edition is pressed on red vinyl and is packaged in a beautifully-designed (by Bruce Licher) gatefold jacket printed by offset lithography on brown chipboard, with a folding insert featuring liner notes by Richie Unterberger. \u003c\/span\u003e\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854694637,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/1fb153f7-e1014b_60d5599a92e44a0ab47ae94c65450047_mv2.png?v=1774300804"},{"product_id":"tape-excavation-expanded-special-edition-cd","title":"TAPE EXCAVATION Expanded SPECIAL EDITION CD","description":"\u003cp\u003eOriginally released as a 14-song limited edition vinyl LP to accompany the deluxe edition of the \u003cem\u003eSavage Impressions\u003c\/em\u003e book published by P22 Type Foundry in February 2020, Tape Excavation was compiled by Savage Republic and Independent Project Records founder Bruce Licher after scouring through dozens of boxes of cassette tapes from rehearsals, demos, and other recordings to find previously unheard nuggets from his various aural endeavors.\u003cbr\u003e\u003cbr\u003eTape Excavation is filled with a wide range of musical expression, from Licher's early, no-wave inspired first recordings for the Project 197 EP on IPR in 1980, through previously unheard recordings from his groups Savage Republic \u0026amp; Scenic (and various offshoots), a wide range of solo recordings (some created as demos for his fellow band members to be able to listen to new song ideas), collaborations with Henry Frayne (Lanterna) and Michael Krassner (Boxhead Ensemble), to a rehearsal demo from his current musical endeavor The Great Quiet (formerly known as SR2), a powerful collaboration with his wife Karen Nielsen Licher. Eight additional tracks have been added to the original fourteen on this expanded re-issue for over 70 minutes of listening intrigue. This Tape Excavation compilation contains 22 compelling windows into the ongoing evolution of Licher’s sound and musical vision.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable in two color variations: gold or silver.  Please select your preference when ordering.\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"silver","offer_id":49719854596333,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true},{"title":"gold","offer_id":49719854629101,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/4c0cb96b-e1014b_5c010366e0e84351be8e21d187383e2b_mv2.png?v=1774300804"},{"product_id":"indian-bingo-scatological-lp","title":"INDIAN BINGO - Scatological LP","description":"\u003cp\u003eWe have unearthed a box of the vinyl LP version of the debut full-length album by Indian Bingo.  Originally released in 1990 by Independent Project Records, this album features 9 tracks of catchy yet melancholy indie pop rock. This may be your last chance to get a sealed original copy of this collectable gem.\u003cbr\u003e\u003cbr\u003eNed Raggett's review on AllMusic hits the nail on the head as far as a description of the sounds: \"A collection of songs that call to mind a less strung-out, more wistful Thin White Rope. There are quicker, rockier songs here and there, like 'Separation Days' and 'Casim Glue Co.,' but above all else it's the singing (from Mike Boul) that defines the album. He's gentle without being wispy, higher voiced without being entirely twangy, a bit like Mark Eitzel or Mark Kozelek but lacking profound melancholy, instead capturing an attractive drowning in the sound. Slathering on the\u003cspan\u003e echo at points—check out the choruses of 'The Ulcer Prophecy,' where he lets loose more loudly than usual—helps him further in that regard. Musically there are suggestions of high lonesome sounds transposed with a bit of guitar fire like Echo and the Bunnymen's, say, psychedelic but clearly of a newer time. Perhaps even a touch of U2 here and there—'Flow' in particular—but done in a way that avoids suggestions of bad stadium ballads. Phil Carney and Bill Boyle, the guitar players in the band, make for a good team, avoiding rough crunch in favor of attractive digital delay swirl. There is definitely a hint of semi-shoegaze, or at least where some of the more summery impulses of that style would go, in songs like 'Goon Lagoon,' its wistful chime combining with Boul's slightly more mournful touch to suggest one of the best American responses yet to the Smiths.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854727405,"sku":null,"price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/be3eef69-e1014b_96b895cf33144a06ae8a7a5b327bb90d_mv2.jpg?v=1774300804"},{"product_id":"a-produce-the-clearing-expanded-special-edition-cd","title":"A PRODUCE  The Clearing Expanded SPECIAL EDITION CD","description":"\u003cp\u003eExperimental electronic LP The Clearing was originally self-released on vinyl in 1988 by A Produce (the moniker used by the late Barry Craig) who was a prolific artist operating on the fringe of the ambient electronic and avant garde DIY music scenes of California from the 1980's up until his premature death in 2011.\u003cbr\u003e\u003cbr\u003eFirst becoming known in underground circles as guitarist in early '80s postpunk group Afterimage, then via his Trance Port Tapes label, Craig was responsible for documenting what he coined in his own words \"the growing trance music scene\" emerging in L.A. at the time. Craig described his privately released, small-run debut LP as \"an album of conceptual space,\" rooted in LA's early post-punk \/ DIY scene but containing an intersection of styles incorporating the new experimental or 'trance' music that was starting coalesce in the mid-to-late '80s. The result is a masterpiece of flow and cohesion, blending early electronic rhythms with keyboards, guitar and synthesizers which careen from lively, hypnotic grooves to deeper, inward-looking minimalist ambient passages.\u003cbr\u003e\u003cbr\u003eIn 2008 Craig re-mastered the album with the help of electronic artist Loren Nerell, and self-released a very limited CDr version which included one bonus track (Raga Riley) that was included on the Independent Project Records compilation Source in 2021. The original album was licensed to the UK label All Night Flight in 2019 for a limited edition vinyl re-issue of 500 copies, and this will be the first time that the album is being made available as a replicated CD.\u003cbr\u003e\u003cbr\u003eFor this first release in IPR's extensive reissue campaign of his catalog we’ve added three more bonus tracks, solo recordings that Craig included on his three L.A. Mantra compilation cassette releases on Trance Port Tapes between 1983-1985. This will be the first time these three tracks have been made available since their original cassette tape release in the early-to-mid 1980s, and include several recordings dating back to 1979.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSix different cover variations were created for the letterpress-printed CD jackets of \u003cspan\u003eThe Clearing\u003c\/span\u003e, closely mimicking the geometric designs of the original vinyl LP release from 1988, which also featured six different cover designs created and printed at Independent Project Press by Bruce Licher and Barry Craig.\u003c\/span\u003e\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854792941,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/2f5221db-e1014b_46a03b4a86094e46909d41dba6e744f9_mv2.jpg?v=1774300802"},{"product_id":"savage-republic-africa-corps-live-at-the-whisky-a-go-go-regular-edition-cd","title":"SAVAGE REPUBLIC Africa Corps Live at the Whisky A Go Go REGULAR EDITION CD","description":"\u003cp\u003eThe 40th anniversary of Savage Republic’s seismic debut LP \u003cem\u003eTragic Figures\u003c\/em\u003e is certainly cause for celebration and after working closely with Real Gone Music on the recently released expanded reissue of that album, Independent Project Records is proud to present a priceless jewel documenting the group’s early days. Ever wondered about what seeing a blossoming Savage Republic up close must have felt like? \u003cem\u003eAfrica Corps Live at The Whisky A Go Go December 30th 1981\u003c\/em\u003e is here to take us right there, fiercely catapulting listeners in front of one of L.A.’s most iconic stages, back when a young band of UCLA students (Bruce Licher, Mark Erskine, Philip Drucker and Jeff Long), by then still called Africa Corps, was starting to make its way in the punk underground.\u003c\/p\u003e\n\u003cp\u003eTheir extraordinary first time at the Whisky was recorded on cassette on December 30th 1981, a momentous night when soon-to-be Savage Republic had been invited to open for Orange County hardcore-turned-post punk outfit Middle Class along with fellow LA post punk journeymen Afterimage (it was probably the friendship among band members that made it all happen) and Long Beach-based synth punks Outer Circle.\u003c\/p\u003e\n\u003cp\u003eWe’re lucky enough to witness most of the future \u003cem\u003eTragic Figures\u003c\/em\u003e tracks in a process of highly creative gestation, in the middle of being developed.The original tape has now been remastered by Warren DeFever (His Name Is Alive) and unearths a most cathartic performance. It’s hard to fathom, but the four musicians had only been playing together for about eight months at that point, mostly rehearsing in the concrete parking garages at UCLA. Those formative experiences are brilliantly reflected in the sound of \u003cem\u003eAfrica Corps Live at The Whisky A Go Go December 30th 1981\u003c\/em\u003e, with its hypnotic blend of industrial and piercing post punk. But the live album is also a powerful reminder of Savage Republic’s flair for containing multitudes: those hardcore inclinations, so of their time they now sound timeless, are unexpectedly intertwined with a kaleidoscopic love of sound that still makes the band stand out from the rest of their contemporaries. Here, the hardcore and the arty are perfectly intertwined; the band emerges as one of the most politically engaged (and lucid) entities of the L.A. underground, while simultaneously reclaiming a love of styles and influences that might have seemed long forgotten by then (Eastern music being the most prominent one).\u003cbr\u003e\u003cbr\u003eThe four-piece appears to be at once trailblazing, sounding like no other band before or since, and eager to dig up its rich, often surprising lineage (they were embodying '60s California’s all-embracing curiosity better than most neo-psychedelic bands). In different hands this amalgamation of punk, industrial, art rock, psychedelia, Eastern sounds, avant-garde, no wave, surf and minimalism would have eventually proved contrived, pretentious, or at least confusing. But this is Savage Republic we’re talking about, and as the loud Whisky crowd—regulars mixing with friends, art school students mixing with tough punks—seems to suggest, it worked, as if by magic. And as if by magic, it still does.\u003c\/p\u003e\n\u003cp\u003eAfrica Corps Live at The Whisky A Go Go December 30th 1981 is now available in two different CD versions as well as vinyl LP with two different color options. This is the “commercial” edition of the CD which is packaged in a normal-sized 6-panel cardboard wallet folder with additional insert. See our other listings for the numbered and limited Special Edition CD, which features our iconic hand-letterpress printed oversized die cut pocket folder designed and created by Licher at Independent Project Press, and includes a 4-panel insert with story of the band and gig by Camilla Aisa, plus mini-sized reproductions of the 4 different original flyers produced by each of the bands performing on the bill that night.\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854760173,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/ce782ecc-e1014b_89c45360a57941ab9ffae7ddcb2c6ff1_mv2.jpg?v=1774300802"},{"product_id":"exploratorium-expanded-special-edition-cd","title":"EXPLORATORIUM Expanded SPECIAL EDITION CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNow available on a replicated Special Edition CD for the first time, our expanded edition of Exploratorium consists of \u003c\/span\u003esolo ambient guitar home recordings by Savage Republic, Scenic, and Independent Project Records founder Bruce Licher. Recorded in July 1997 on a cassette 4-track, and consisting of layered effected guitars and bass, these recordings sat unreleased for almost a decade. Transferred to digital and mixed in April 2006 by Michael Krassner and Bruce Licher, these tracks were originally released as a mini-CDr format in a signed and numbered edition of 300 copies.\u003c\/p\u003e\n\u003cp\u003eAnd the music? It consists of three instrumental tracks totaling 22:22 minutes, all layers of heavily effected guitars and bass. “Peak” opens the proceedings, a 9 1\/2 minute atmospheric dronefest with shimmering guitars floating in liquid space, exploring territory similar to the closing number on Scenic’s ”The Acid\u003cspan\u003e Gospel Experience” CD, “A Journey Through The Outer Reaches Of Inner Space.” “Going Home” is another shimmering dronefest, with some shoegaze-style guitar sounds and sublime melodic structures. The EP ends with “The Penstemon Field,” a 7+ minute epic sounding like something Ennio Morricone might have written for an Antarctic Western, with liberal fuzz guitar and haunting melodies. Fans of Scenic’s more ambient work will find plenty to enjoy on this EP, though the tracks are a bit rawer in sound than most of Scenic’s studio recordings.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNow being re-issued as an expanded edition, Exploratorium’s original selection of three immersive solo recordings are now augmented by the 26-minute atmospheric electronics of ‘Number 09,’va song composed on an old Roland SH-2000 synthesizer whose title is a clear nod to to The Beatles’ most adventurous composition. The release features the iconic hand-letterpress printed oversized die cut pocket folder packaging designed and created by Licher at his Independent Project Press.\u003cbr\u003e\u003cbr\u003eExploratorium has been remastered by Josh Bonati at Bonati Mastering and reclaims equal fondness for the natural and the industrial. Licher’s mission is an exploration of sound that feels scientific and transcendental at the same time. This thoroughly inquisitive approach is made all the more clear (and intriguing) by the unexpected pairing of the original three tracks with ‘Number 09.’ Whereas ‘Peak,’ ‘Going Home' and ‘The Penstemon Field’ eagerly played with stretching the role of guitars and bass, ‘Number 09' takes its cue from the hypnotic synths of the Human League's The Dignity of Labour EP from 1979 and sets off for an unconstrained sonic trip that goes from the jarring to the meditative. Together, these four instrumentals make for a most entrancing experience. \u003cbr\u003e\u003cbr\u003eThe music of Exploratorium blurs the boundaries between Licher's cinematic work with Scenic and the early recordings of his UCLA days, which led him to start the Independent Project Records label in 1980. It's a mesmerizing blend of ambient and post-rock, noisy shoegaze and pastoral melodic structures, droning avant-garde and soundtracks at their most sparse and yearning.\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854825709,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/3d691df6-e1014b_b4ddb3af1e9f4b00a1e468f8186e8d9a_mv2.jpg?v=1774300804"},{"product_id":"savage-republic-africa-corps-live-at-the-whisky-a-go-go-special-edition-cd","title":"SAVAGE REPUBLIC Africa Corps Live at the Whisky A Go Go SPECIAL EDITION CD","description":"\u003cp\u003eThe 40th anniversary of Savage Republic’s seismic debut LP \u003cem\u003eTragic Figures\u003c\/em\u003e is certainly cause for celebration and after working closely with Real Gone Music on the recently released expanded reissue of that album, Independent Project Records is proud to present a priceless jewel documenting the group’s early days. Ever wondered about what seeing a blossoming Savage Republic up close must have felt like? \u003cem\u003eAfrica Corps Live at The Whisky A Go Go December 30th 1981\u003c\/em\u003e is here to take us right there, fiercely catapulting listeners in front of one of L.A.’s most iconic stages, back when a young band of UCLA students (Bruce Licher, Mark Erskine, Philip Drucker and Jeff Long), by then still called Africa Corps, was starting to make its way in the punk underground.\u003cbr\u003e\u003cbr\u003eTheir extraordinary first time at the Whisky was recorded on cassette on December 30th 1981, a momentous night when soon-to-be Savage Republic had been invited to open for Orange County hardcore-turned-post punk outfit Middle Class along with fellow LA post punk journeymen Afterimage (it was probably the friendship among band members that made it all happen) and Long Beach-based synth punks Outer Circle. We’re lucky enough to witness most of the future \u003cem\u003eTragic Figures\u003c\/em\u003e tracks in a process of highly creative gestation, in the middle of being developed.\u003c\/p\u003e\n\u003cp\u003eThe original tape has now been remastered by Warren DeFever (His Name Is Alive) and unearths a most cathartic performance. It’s hard to fathom, but the four musicians had only been playing together for about eight months at that point, mostly rehearsing in the concrete parking garages at UCLA. Those formative experiences are brilliantly reflected in the sound of \u003cem\u003eAfrica Corps Live at The Whisky A Go Go December 30th 1981\u003c\/em\u003e, with its hypnotic blend of industrial and piercing post punk. But the live album is also a powerful reminder of Savage Republic’s flair for containing multitudes: those hardcore inclinations, so of their time they now sound timeless, are unexpectedly intertwined with a kaleidoscopic love of sound that still makes the band stand out from the rest of their contemporaries. Here, the hardcore and the arty are perfectly intertwined; the band emerges as one of the most politically engaged (and lucid) entities of the L.A. underground, while simultaneously reclaiming a love of styles and influences that might have seemed long forgotten by then (Eastern music being the most prominent one).\u003cbr\u003e\u003cbr\u003eThe four-piece appears to be at once trailblazing, sounding like no other band before or since, and eager to dig up its rich, often surprising lineage (they were embodying '60s California’s all-embracing curiosity better than most neo-psychedelic bands). In different hands this amalgamation of punk, industrial, art rock, psychedelia, Eastern sounds, avant-garde, no wave, surf and minimalism would have eventually proved contrived, pretentious, or at least confusing. But this is Savage Republic we’re talking about, and as the loud Whisky crowd—regulars mixing with friends, art school students mixing with tough punks—seems to suggest, it worked, as if by magic. And as if by magic, it still does.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfrica Corps Live at The Whisky A Go Go\u003c\/em\u003e \u003cem\u003eDecember 30th 1981 \u003c\/em\u003eis now available in two different CD versions as well as vinyl LP with two different color options. This is the numbered and limited Special Edition CD which features the iconic hand-letterpress printed oversized die cut pocket folder packaging designed and created by Bruce Licher at his Independent Project Press, and includes a 4-panel insert with story of the band and gig by Camilla Aisa, plus mini-sized reproductions of the 4 different original flyers produced by each of the bands performing on the bill that night. IPR is also producing a “commercial” edition of the CD packaged in a normal-sized 6-panel cardboard wallet folder with additional insert.\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719854891245,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/51415bec-e1014b_42547d08aaee4774b8a2bca7fbb5f2f3_mv2.jpg?v=1774300802"},{"product_id":"greg-lisher-underwater-detection-method-special-edition-cd","title":"GREG LISHER - Underwater Detection Method -  Special Edition CD","description":"\u003cp\u003e'Underwater Detection Method' is a thing of firsts. While Greg Lisher is a familiar face to most fans of made-in-California alternative rock (thanks to his work with Camper Van Beethoven and Monks of Doom), 'Underwater Detection Method' sees Greg moving in a totally new direction. While not his first solo record, CVB and MOD fans likely will be surprised by the music on his new album. It has all the feeling of discovering a new artist for the first time.\u003c\/p\u003e\n\u003cp\u003e“While many fans of Camper Van Beethoven and Monks of Doom know me strictly as a guitar player in an ‘alternative’ band, I purposely stepped outside my comfort zone making 'Underwater Detection Method,'” said Lisher. “I wanted to explore a completely different aspect of music that I love. This album might surprise a few people.”\u003cbr\u003e\u003cbr\u003eAfter completing the guitar-based solo album 'Songs from the Imperial Garden' (a collection of instrumentals brimming with acoustic intimacy that he would release in 2020), Lisher thought it was time for something different. 'Underwater Detection Method' sees Greg for the first time writing songs using keyboards and exploring a new world of synthesized sounds. Always a lover of keyboards and synths, and of the more experimental excursions of favorite artists such as Brian Eno, Greg took the plunge and\u003cspan\u003e made the decision to finally release a solo album that was anything but guitar-centric.\u003cbr\u003e\u003cbr\u003eThe resulting 12-songs make for an instrumental record shaded with elements of art rock, ambient, dub and prog conjuring an inspired fusion that manages to split the difference between the melodic and the experimental. Some tracks seem born to accompany the emotional climax of an unforgettable movie, while others wouldn’t feel out of place in a volume of the KPM 1000 series. With this new self-produced album Greg approached songwriting with an open-minded disposition; he’d start songs by experimenting with sound collage which would take him to places he did not expect to go. “It’s like fishing,” he says, “I have no idea what I’m going to catch.” The album’s title reflects that analogy and reveals a most vibrant, creative eagerness. Lisher might have joined Camper Van Beethoven some 39 years ago, but 'Underwater Detection Method' shows that you never know when you’ll discover new things about yourself or the music you make and love.\u003cbr\u003e\u003cbr\u003eThis numbered Special Edition CD is packaged in Independent Project Records’ signature oversized CD pocket folder, featuring a 5-color custom design with metallic ink, a letterpress-printed glassine inner sleeve to hold the CD, plus a folding insert with credits and two perforated photographic insert cards. See our other UDM merch listings for our normal-sized Wallet Edition CD version, as well as two color variations of vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGreg Lisher (keyboards, programming, fretted and fretless bass, baritone guitar, electric guitar)\u003cbr\u003eMichael Jerome (drums, percussion)\u003cbr\u003eStevie Blacke (violin, viola and cello)\u003c\/p\u003e","brand":"Independent Project Records","offers":[{"title":"Default Title","offer_id":49719855022317,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0804\/6995\/0701\/files\/a97e0e69-e1014b_07c26477ee9c46f788ee68bb698b4277_mv2.jpg?v=1774300795"}],"url":"https:\/\/shop.independentprojectrecords.com\/collections\/all-music.oembed?page=2","provider":"Independent Project Records","version":"1.0","type":"link"}